In this paper we will show our data description model conceived for avoiding the risk of realizing misleading Virtual Heritage (VH) reconstructions and for making accessible in a standardized way the background research material that lies under a "VR cultural product". The basic idea is to face the problem of the lack of standards for documenting sources in order to realize not only nice fast m...

Virtual heritage is a system to create visual representation of reconstruction the historical building and monument in the golden period. The Augmented Reality technology is used to add the user experiences where virtual objects are merge with the real environment. The significance of reconstruction of digital culture heritage are to preserve, protect and interpret of our cultural and history. ...

Since cultural monuments and/or heritage sites, depending on the degree of their international recognition, generate economic activity and contribute to the economy of the countries in which they are located, one should regard them as valuable economic resources. Th e aim of this work is to fi rstly, address the issue of economically eff ective and socially responsible management of cultural mo...

Heritage is an important part of the international tourism market. As with any resource, sustainable management practices are required to maintain the long-term value of heritage assets. It is claimed that sustainable heritage tourism provides quality experiences for the tourists while protecting the environment and improving the quality of life for local residents. Yet, irrespective of how tou...

Present virtual heritage projects are mostly focused either on ‘process’ or ‘product’ but rarely consider ‘user’ (end user’s perception of the content) with project contents predominantly developed with an ‘ocular-centric’ tendency. There is no signifi cant interpretation method or principles for interpreting digital heritage unlike other disciplines such as archaeology. This paper argues that,...

This paper explores how traditional narrative language used in film and theatre can be adapted to create interactivity and a greater sense of presence in the virtual heritage environment. It focuses on the fundamental principles of narrative required to create immersion and presence and investigates methods of embedding intangible social histories into these environments. These issues are explo...

This study investigates how the younger generation conceptualise cultural tourism attractions associated with modern history in contemporary South Korea. Particular attention in this study is given to heritage attractions built in the Japanese colonising past. By analysing data obtained through a Multiple Sorting Procedure, this study identifies the underlying facets of heritage attractions the...

Existing digital heritage systems accommodate a huge amount of digital repository information; however their content rendering and interaction components generally lack the more interesting functionality that allows better interaction with heritage contents. Many digital heritage libraries are simply collections of 2D images with associated metadata and textual content, i.e. little more than mu...

The complex issues of conservation, politics, tourism management and ownership have emerged as critical issues within the World Heritage debate and specifically within heritage tourism research. Within this context, this article focuses on issues of ownership and belonging and argues that there exists a link between the conceptual inconsistencies inherent in the World Heritage idea and the tens...

Our cultural heritage derives from the development and diversifi cation of human cultures and abilities. Scientifi c investigation of cultural heritage has several important aims: (1) increasing our knowledge and understanding of the tangible heritage; (2) assembling information, including physical evidence, in order to add cultural value to the heritage, including the “intangible” values; and ...