one of the subjects that researchers are agreed on is hafez acquaintance to music and sing. extensive studies have been conducted on musical terms in hafez works; there are some words in his poems that are surrounded by a musical halo, however theirlexical meanings are still considered through the context of the poems, but nobody can get a profound understanding out of hafez’s artistic elegance...

in treating the subject of musical language, a persian musician would be intrinsically drawn to the structural similarities between the persian music and language. indeed persian music and language are extremely related in their metrics, intonations and structural phrases (syntax). although we will draw upon this relationship, our aim in this article is to present “music as a language,” consist...

The ideation, conception and implementation of new musical interfaces and instruments provide more than the mere construction of digital objects. As physical and digital assemblages, interfaces also act as traces of the authoring entities that created them. Their intentions, likes, dislikes, and ultimate determinations of what is creatively useful all get embedded into the available choices of ...

Mobile devices represent a growing research field within NIME, and a growing area for commercial music software. They present unique design challenges and opportunities, which are yet to be fully explored and exploited. In this paper, we propose using a survey method combined with qualitative analysis to investigate the way in which people use mobiles musically. We subsequently present as an ar...

Traditional text input modalities, namely keyboards, are often not appropriate for use when standing in front of very large wall displays. Direct interaction techniques, such as handwriting, are better, but are not well suited to situations where users are not in close physical proximity to the display. We discuss the potential of mid-air interaction techniques for text input on very large wall...

This paper deals with the question of how the development of new musical artifacts can benefit from deeply engaging with contemporary musical practice. With the novel ideas produced by the NIME community manifested in musical instruments in continuous use, new research questions can be answered and new sources of knowledge can be explored. This can also be very helpful in evaluation, as it is p...

This paper revisits/extends “Principles for Designing Computer Music Controllers” (NIME 2001), subsequently updated in a NIME 2007 keynote address. A redesign of SqueezeVox Maggie (a reoccurring NIME character) is used as an example of which principles have held fast over the years, and which have changed due to advances in technology. A few new principles are also added to the list.

The Epipe is a novel electronic woodwind controller with continuous tonehole coverage sensing, an initial design for which was introduced at NIME ’03. Since then, we have successfully completed two fully operational prototypes. This short paper describes some of the issues encountered during the design and construction of this controller. It also details our own early experiences and impression...