Genel olarak bakıldığında kapsamı son derece geniş bir entelektüel hareketi, felsefeyi, dünya görüşünü, kültür durumunu, söylemi, yorumlama ve eleştiri biçimini ifade eden postmodernizmin en somut belki de ilk örnekleri edebiyat sahasında kendini göstermiştir. Geleneksel anlatı tekniklerinin aksine yenilikçi alışılmışın dışında tekniklere imkân tanıyan postmodern kurmaca, kurmaca anlatının onto...

trope, the use of words in a non-literal sense, is among the topics found in the language and literature of all nations. however, all methods of using words considered as tropes in a language, are not necessarily regarded as such in another language and literature; and occasionally there are similarities and differences among known tropes. in german language and literature 10 types of tropes ar...

Este artículo propone analizar la transgresión de los umbrales narrativos en novela Alfred Jarry Gestes et opinions du docteur Faustroll, pataphysicien (1911), cual se exponen principios patafísica, una ciencia paródica dedicada a las excepciones y exploración potencialidades imaginación. La hipótesis desarrollada este trabajo basa, pues, observación que valoración innovadora obra supera amplia...

Este artículo plantea una nueva lectu­ra de la película Fresas salvajes (Smul­tronstället; Ingmar Bergman, 1957) a través exploración narratológica dos procedimientos fundamentales en su cuerpo textual: el flashback y metalepsis. La unión estos recur­sos origina fenómeno del metaléptico, cuya particular naturale­za pone relieve, tres escenas cru­ciales relato, influencia los con­flictos present...

undoubtedly, maqameh (maqamat pl.) or rhythmic composition is one of techniques that have been stemmed in ancient history of arabic literature and since the beginning of it emergence, several salient and well- known writers and authors appeared in the field of this technique and represented their power and skill in this regard. of these writers, one may refer to hariri (446-516h.) and soyouti (...

the concept of diegesis (telling or recounting a story) originally appeared in plato's thesis as opposed to mimesis (showing or enacting a story). plato described diegesis as the third person style of expressing a fiction mediated by an author/narrator, whereas he proposed mimesis as the first person style of presenting a story by means of characters and actions. aristotle then applied mim...