Objectives: We compare expert opinion with perceptual judgment regarding the influence of color on the perceived height and width of interior rooms. Background: We hypothesize that contrary to popular belief, ceiling and wall lightness have additive effects on perceived height, whereas the lightness contrast between these surfaces is less important. We assessed the intuitions of architectural e...

J. Cataliotti and A. Gilchrist (1995) reported that, consistent with anchoring theory, the lightness of a black step in a reflectance staircase was not altered by moving a white step from a remote to an adjacent location. Recently, E. Economou, S. Zdravkovic, and A. Gilchrist (2007) reported data supporting three additional predictions of the anchoring model (A. Gilchrist et al., 1999): 1) equi...

Previous research has shown multihue scales to be well-suited to code categorical features and shown lightness scales to be well-suited to code ordinal quantities. We introduce an algorithm, Motley, that produces color scales varying in both hue and lightness, intended to be effective for both categorical and ordinal coding, allowing users to determine both absolute and relative quantities effi...

1. Maniatis claims that a unified explanation of lightness contrast and lightness constancy is not possible. But there is only one visual system and it exhibits both lightness contrast and lightness constancy. So obviously a unified theory is possible. 2. Maniatis claims there is ultimately no distinction between framework and layer theories, arguing that both theories acknowledge the existence...

Two circles of the same luminance will appear to have different lightness if one is embedded in a dark and another in a light surround. Known as simultaneous lightness contrast, this phenomenon demonstrates that our perceptions are not simply a reflection of the input from the retina but instead an inference about surface properties. Using functional magnetic resonance imaging (fMRI), we invest...

OBJECTIVES We compare expert opinion with perceptual judgment regarding the influence of color on the perceived height and width of interior rooms. BACKGROUND We hypothesize that contrary to popular belief, ceiling and wall lightness have additive effects on perceived height, whereas the lightness contrast between these surfaces is less important. We assessed the intuitions of architectural e...

The majority of work in lightness perception has evaluated the perception of lightness using flat, matte, two-dimensional surfaces. In such contexts, the amount of light reaching the eye contains a conflated mixture of the illuminant and surface lightness. A fundamental puzzle of lightness perception is understanding how it is possible to experience achromatic surfaces as specific achromatic sh...

In order to investigate the performance of suprathreshold color-difference tolerances with different visual scales and different perceptual correlates, a psychophysical experiment was carried out by the method of constant stimuli using CRT colors. Five hue circles at three lightness (L*=30, 50, and 70) and chroma (C*ab=10, 20, and 30) levels were selected to ensure that the color-difference tol...

In color gamut mapping of pictorial images, the lightness rendition of the mapped images plays a major role in the quality of the final image. For color gamut mapping tasks, where the goal is to produce a match to the original scene, it is important to maintain the perceived lightness contrast of the original image. Typical lightness remapping functions such as linear compression, soft compress...

The apparent lightness of a surface can be strongly modulated by the spatial context in which it is embedded. Early theories of such context dependence emphasized the role of low-level mechanisms that sense border contrast, whereas a number of recent authors have emphasized the role of perceptual organization in determining perceived lightness. One of the simplest and most theoretically challen...