Knotting designs ornaments and geometric patterns in Islamic art have many common features. Perfection and implementation of knotting designs ornaments and the use of geometric patterns in Islamic Iran both refer to the Seljuk period. Qajar-era Chinese knot ornaments and geometric patterns had many ups and downs connected with the arrival of wild-Maby. During that period Iranian culture was und...

Ghelimche Metkazin village in addition to the abundance of role, mentally woven and of a simple structure. The variety of animal and plant designs and understandable  geometric shapes and the creation of creative design during the drawing of motifs on the margin and the text and the way weavers adapted from the nature and environment of life and the re-imaging of images has led to a variety of ...

Geometric shapes and motifs are a combination of the human spiritual mind which sees the existence of beautiful and paints a historical civilization through this vision. The geometric motifs are an expression of the rhythmic and balanced human beings possessions when the human being wants to imagine beyond the present and create a world full of love. The patterns/shapes are the basis of artwork...

As a sign of respect for God, Muslims' prostration during their prayer inspired the artists of Qajar period to represent the worshiper’s spiritual connection with the Divine through needlework on the textiles that were used for producing prayer mats. Needlework is a traditional art which, like any other traditional art, is characterized by its contribution to human transcendence, being rooted i...

The aesthetics of the Iranian handmade carpet is based on the aesthetic belief and understanding of the Iranian man from the system of existence, the Iranian carpet has grown over the centuries of technology and beauty to the feet of Iranian culture and civilization, the element of beauty can be most prominent Handmade carpet found that other elements, including quality, efficiency, reputation ...

The study of Sun and Mehr motifs and symbols, their continuity and transformation, related religions and myths in all Iranian pre-historic cultural fields and Islamic period especially in the traditional carpet art is an inevitable necessity in order to get more acquainted with the content of the work. With the change of moon-worshipping custom to Sun-worshipping one, the elements and motifs of...

Throughout history, artworks in the field of metalwork and glasswork reflect different themes. They are considered as important means of manifesting Islamic art and traditional crafts in different countries which have been producing a wide variety of art products. Meanwhile, the influence of some kinds of artworks from different lands and the counterinfluence of concepts and artistic themes amo...