Realistic representation of various effects which are appeared in the real world paintings can be used for several applications like as animation or education. To generate Oriental paintings, numerous studies have focused on model-based approaches. In this paper, a new modelbased approach for Oriental paintings is described. To represent the diffusion effects, we propose local equilibrium model...

The problem of reconstructing a three-dimensional scene from single or multiple views has been thoroughly studied in the computer vision literature, and recently has been applied to problems in the history of art. Criminisi pioneered the application of single-view metrology to reconstructing the fictive spaces in Renaissance paintings, such as the vault in Masaccio’s Trinità and the plaza in Pi...

In this paper, a feature-detecting algorithm to identify paintings from mobile phone camera images is presented. The algorithm is capable of identifying paintings from noisy camera-phone images. Even with typical blurring, rotation, and a small amount of perspective distortion that would occur in a controlled museum setting, by training on a set of standard painting images, the paintings can be...

The art of woodcarving in Ho Chi Minh City since 1986 has reflected a vivid reality land vibrant historical period with renovation and development. Woodblock paintings show characteristic City’s culture which is the dynamism diversity tolerating new things from form expression to adaptation On other hand, images, language, penmanship simple expressiveness, close social can also be considered as...

Paintings are the product of a process that begins with ordinary vision in the natural world and ends with manipulation of pigments on canvas. Because artists must produce images that can be seen by a visual system that is thought to take advantage of statistical regularities in natural scenes, artists are likely to replicate many of these regularities in their painted art. We have tested this ...