نتایج جستجو برای: he sought painting among his family

تعداد نتایج: 1797490  

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه بیرجند - دانشکده ادبیات و علوم انسانی 1391

1.1 introduction “i see translation as the attempt to produce a text so transparent that it does not seem to be translated. a good translation is like a pane of glass. you only notice that it’s there when there are little imperfections- scratches, bubbles. ideally, there shouldn’t be any. it should never call attention to itself.” “norman shapiro” (venuti, 1995:1) edward fitzgerald is the br...

2005
Polyxeni Potter

During his long ocean passage to Australia in 1852, Eugene von Guérard reported that conditions were far from ideal, and “meals were late and bad” (1). He had boarded a sailing ship at Gravesend, England, to seek his fortune in Victoria. At the gold fields of Ballarat, he described mining as “arduous at first” and causing “much backache and blistering of hands” (1). His gold mining efforts in B...

Journal: :پژوهش های قرآن و حدیث 0
وحید سبزیانپور دانشگاه رازی

the critics and the literary figures believe that abu al atahiyeh (213 or 209-230) is the leading poet of arabic ascetic poetry, and this poetry is embossed on the temple of arabic ascetic poetry. his innovation and creativity on ascetic poetry have made the researchers draw various interpretations. some believe that he has been inspired by hassan basri, and some claim that he has cherished the...

2011
Polyxeni Potter

“O morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in his bed he had been changed into a monstrous verminous bug,” wrote Franz Kafka in The Metamorphosis. “He lay on his armorhard back and saw, as he lifted his head up a little, his brown, arched abdomen divided up into rigid bow-like sections. From this height the blanket, just about ready to slide off completely...

2009
Polyxeni Potter

" I thought that I was going to be a doctor, and I majored in science and later in mathematics. But when I got out of college, I decided to study art, " divulged Romare Bearden in a 1968 oral history interview. In New York, " I went to study with George Grosz at the Art Students League. " The German-born artist guided Bearden's understanding of draftsmanship and classical technique, introducing...

2006
Hui-Lin Yang Chuan-Kai Yang

In recent years, there has been a trend on simulating impressionism with computers. Among the various styles of impressionism, we are particularly interested in simulating the style of pointillism, especially the style presented by Georges-Pierre Seurat, as he was deemed the founder of pointillism. The reason that his style attracts us is twofold. First, the painting process of pointillism is e...

2006
Polyxeni Potter

878 Emerging Infectious Diseases • www.cdc.gov/eid • Vol. 12, No. 5, May 2006 “I very thin and nervous so my father and mother took me out of school and had me tutored at home,” recalls Andrew Wyeth about his education after the third grade (1). The ailment that kept him away from his peers during childhood and adolescence was a “sinus condition,” later diagnosed as tuberculosis. “I played alon...

2006
Polyxeni Potter

“T I drew, using a mirror; it is my own likeness, in the year 1484, when I was still a child,” wrote Albrecht Dürer about his first self-portrait, sketched with great confidence and skill when he was 13 years old (1). Fascinated by his own image, he continued to paint it throughout his life. His faithful dog once barked and wagged its tail at a newly completed self-portrait of his master, relat...

ژورنال: کیمیای هنر 2020

Style As the conception of human underwent significant change during the renaissance era, the theory of human proportions gained great importance among the artists and art theorists of the time. The renaissance artists put considerable effort on finding and presenting an ideal model for human body proportions that could represent the newly founded status of the human being in their time. Howeve...

Journal: :Emerging Infectious Diseases 2008
Polyxeni Potter

“D and fables I fashion,” wrote 18th-century Italian poet and librettist Pietro Metastasio, “and even while I sketch elaborate fables and dreams upon paper ... I so enter into them that I weep and am offended at ills I invented” (1). Metastasio might have been describing the work of his contemporary Giambattista Tiepolo, whose art blended history, mythology, legend, and scripture in a grand man...

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