نتایج جستجو برای: glazes which represent figural

تعداد نتایج: 3520469  

2016
Nicolas Davidenko Chan Q. Vu Nathan H. Heller John M. Collins

Recent research has shown that attention can influence the strength of face aftereffects. For example, attending to changes in facial features increases the strength of identity and figural aftereffects relative to passive viewing (Rhodes et al., 2011). Here, we ask whether attending to a specific social dimension of a face (such as race or gender) influences the strength of face aftereffects a...

B. Hashemi, M. Sheikhattar, R. Sarjahani, S. Javadpour,

Surface smoothness of ceramic glazes is always an important characteristic of ceramic glazes as a point of surface engineering studies. Surface roughness affects chemical resistivity, glossiness and stainabiliy of glazes. In fact, less surface roughness improves cleanability of the surface by the least usage amount of detergents. In this investigation, surface topography of two common opaque gl...

2005
Kurt A. Pflughoeft Fatemeh Zahedi Ehsan S. Soofi

One of the important objectives of business data visualization for decision making is to assist the user in their cognition and recall of prominent features and patterns of data. In this study, we extend Chernoff faces to full-featured animated figures to represent multi-dimensional data. A prototype has been developed that allows the user to easily assign data attributes to figural features as...

2010
Vicky Froyen Jacob Feldman Manish Singh

Figure/ground assignment, in which the visual image is divided into nearer (figural) and farther (ground) surfaces, is an essential step in visual processing, but its underlying computational mechanisms are poorly understood. Figural assignment (often referred to as border ownership) can vary along a contour, suggesting a spatially distributed process whereby local and global cues are combined ...

2005
Klaus K. Urban

The Test for Creative Thinking Drawing Production (TCT-DP), its design, concept and evaluation scheme as well as experiences and results of application are described. The test was designed to mirror a more holistic concept of creativity than the mere quantitatively oriented, traditional divergent thinking tests. The specific design using figural fragments is explained. The drawing production is...

Journal: :Journal of Vision 2011

2005
KLAUS K. URBAN K. K. Urban

The Test for Creative Thinking Drawing Production (TCT-DP), its design, concept and evaluation scheme as well as experiences and results of application are described. The test was designed to mirror a more holistic concept of creativity than the mere quantitatively oriented, traditional divergent thinking tests. The specific design using figural fragments is explained. The drawing production is...

Journal: :Perception & psychophysics 2005
Mary A Peterson James T Enns

Viewing a stepped edge is likely to prompt the perceptual assignment of one side of the edge as figure. This study demonstrates that even a single brief glance at a novel edge gives rise to an implicit memory regarding which side was seen as figure; this edge complex enters into the figure assignment process the next time the edge is encountered, both speeding same-different judgments when the ...

1981
Diana Deutsch John Feroe

A model for the internal representation of pitch sequences in tonal music is advanced. This model assumes that pitch sequences are retained as hierarchical networks. At each level of the hierarchy, elements are organized as structural units in accordance with laws of figural goodness, such as proximity and good continuation. Further, elements that are present at each hierarchical level are elab...

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