نتایج جستجو برای: chroma

تعداد نتایج: 2043  

2010
Matthias Mauch

I present my submission MM1 to the Chord Estimation Task of the 2010 Music Information Retrieval Evaluation eXchange (MIREX 2010). The front-end chroma generation is based on a new implementation of NNLS Chroma as a Vamp plugin. The higher level model is very simple, and a very similar method is implemented as the nonHMM version of the Chordino plugin. These two plugins are now available at htt...

Journal: :CoRR 2017
Luc N. Trudeau Nathan E. Egge David Barr

Chroma from luma (CfL) prediction is a new and promising chroma-only intra predictor that models chroma pixels as a linear function of the coincident reconstructed luma pixels. In this paper, we present the CfL predictor adopted in Alliance Video 1 (AV1), a royaltyfree video codec developed by the Alliance for Open Media (AOM). The proposed CfL distinguishes itself from prior art not only by re...

2005
Jong-Man Kim Cheol-Hee Lee

ABSTRACT: This paper proposes an illuminant-adaptive reproduction method using light adaptation and flare conditions for a mobile display. Mobile displays, such as PDAs and cellular phones, are viewed under various lighting conditions. In particular, images displayed in daylight are perceived as quite dark due to the light adaptation of the human visual system, as the luminance of a mobile disp...

2009
Nils Hoffmann Jens Stoye

SUMMARY We describe ChromA, a web-based alignment tool for chromatography-mass spectrometry data from the metabolomics and proteomics domains. Users can supply their data in open and standardized file formats for retention time alignment using dynamic time warping with different configurable local distance and similarity functions. Additionally, user-defined anchors can be used to constrain and...

2011
Hosik Sohn Dohyoung Lee Wesley De Neve Konstantinos N. Plataniotis Yong Man Ro

To mitigate privacy concerns, scrambling can be used to conceal face regions present in surveillance video content. Given that lightweight scrambling tools may not protect chroma information in order to limit bit rate overhead in heterogeneous usage environments, this paper investigates how the presence of non-scrambled chroma information in face regions influences the effectiveness of automati...

2002
Ting-Sheng Lai

CHROMA is a fully functional prototype content-based image retrieval system designed as part of the support mechanism for a digital photographic library. The paper outlines CHROMA's colour based indexing scheme and the access system which combines a Thumbnail Viewer, index structure Navigation Tool, a Sketch Tool and Query-by-Image-Example tool. Some recent results of evaluations of the effecti...

2015
Nathan E. Egge Jean-Marc Valin

This paper describes a technique for performing intra prediction of the chroma planes based on the reconstructed luma plane in the frequency domain. This prediction exploits the fact that while RGB to YUV color conversion has the property that it decorrelates the color planes globally across an image, there is still some correlation locally at the block level. Previous proposals compute a linea...

2015
Julien Osmalskyj Peter Foster Simon Dixon Jean-Jacques Embrechts

In this paper, we evaluate a set of methods for combining features for cover song identification. We first create multiple classifiers based on global tempo, duration, loudness, beats and chroma average features, training a random forest for each feature. Subsequently, we evaluate standard combination rules for merging these single classifiers into a composite classifier based on global feature...

2004
Roy D Patterson

In the traditional representation, musical pitch is a helix – a single valued function existing in three space, much like a stretched coil spring (see Ueda & Ohgushi, 1987 for a review). The pitch helix has a circular dimension, referred to as "tone chroma", and a vertical dimension referred to as "toneheight", and pitch rises one octave per revolution of the circular dimension. This representa...

2015
M. Mani Roja Rafael Gonzalez John Jackman Anil K. Jain

In television and movie industry a so-called "blue box" technology is used, when an object in the foreground (e. g. a person) needs to be placed on a different background (e. g. a computer-generated 3D scene). However, it is often not economically justifiable to build a "blue box", therefore other methods can be used to extract the foreground object and remove or replace bac...

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