The purpose of the article consists exploring carnival as a form “Entertainment” in Renaissance discourse. research methodology application analytical method - to determine theoretical and methodological foundations study phenomenon "Entertainment" discourse Renaissance; formalization formulate concept within subject field art; we use historical cultural for studying «Entertainment» individuali...

The calypso, which forms an integral part of the carnival celebrations of the Republic of Trinidad and Tobago, is a syncretic popular art-form that has its origin in Africa. The artform, having been influenced and adapted by the experiences of enslaved Africans in the Diaspora, has been fused in the vortex of plantation society. Today, the music of carnival has evolved considerably, with the ca...

A Portuguese cultural manifestation with a long tradition, the Zés Pereiraslanded in Rio de Janeiro, around middle of 19th century, along massive immigration to Brazil. The Pereiras played fundamental role Carioca Carnival for at least 60 years (1850-1910) and are considered by Brazilian historiography be forerunners streetand popularCarnival country. This article aims analyse transposition Per...

The Representations of Carnival in Fantasias for Piano and Orchestra by Darius Milhaud Heitor Villa-Lobos In the 1920s, Frenchman (1892–1974) Brazilian (1887–1959), inspired carnival, created works that resemble each other genre scoring. These are fantasias piano orchestra: Mômoprecóce Le Carnaval d'Aix, Op. 83b Milhaud. article presents an attempt to analyse pieces context carnivalesque aesthe...