John Keats’ ‘Ode to Psyche’ is steeped in mythology and dream symbolism, which encourages us understand it from the perspective of depth psychology/archetypal criticism. The odes Keats have been studied historicist, feminist, biographical perspectives. This paper aims complement these perspectives by elaborating mythical imagery poem as referring symbolically process psychic integration poetic ...

More than merely symbolic, destinations of roots tourism such as Gorée Island (Senegal) are places where emotion about slavery is supposed to be experienced and displayed. UNESCO statements, political testimonies by distinguished visitors, performances well-known African American artists comments tourists seem testify this. I modestly argue that, evoking feelings, presumably shared, in a settin...

Current focus in the health care ethics literature on the character of the practitioner has a reputable pedigree. Rather than offer a staple diet of Aristotelian ethics in the undergraduate curricula, perhaps instead one should follow Murdoch's suggestion and help the practitioner to develop vision and moral imagination, because this has a practical rather than a theoretical aim. The imaginativ...

Stories are an essential piece of human intelligence. They exist in countless forms and varieties seamlessly integrated into every facet of our lives. Stories fuel human understanding and our explanations of the world. Narrative acts as a Swiss army knife, simultaneously facilitating the transfer of knowledge, culture and beliefs while also powering our high level mental faculties. If we are to...

ion in the Verstandes-Actus) but, rather, is only depicted by means of Comparation (and the other two acts of understanding). The form of nexus in the timescape of subjective time (figure 23) shows us the real context for this aspect of the Comparation property set. Referring to this and the schemata of Relation in figure 22, we can make out three topological forms of representation trajectorie...

Given an image, humans effortlessly run the image formation process backwards in their minds: they can tell albedo from shading, foreground from background, and imagine the occluded parts of the scene behind foreground objects. In this work, we propose a weakly supervised inversion machine trained to generate similar imaginations that when rendered using differentiable, graphics-like decoders, ...