This paper describes a method for labelling structural parts of a musical piece. Existing methods for the analysis of piece structure often name the parts with musically meaningless tags, e.g., “p1”, “p2”, “p3”. Given a sequence of these tags as an input, the proposed system assigns musically more meaningful labels to these; e.g., given the input “p1, p2, p3, p2, p3” the system might produce “i...

Renewed interest in the collaborative form haikai no renga 誹諧の連歌 was an integral part of the mid-eighteenth century "Back to Bashō" movement, in which Yosa Buson 与謝蕪村 (1716-1783) and his associates condemned the commercialized practices that characterized contemporary haikai and argued for a return to the ideals of Matsuo Bashō 松尾芭蕉 (1644-1694). After the death of Bashō, who had made ga 雅, or e...

Text similarity is a subject that has received great attention in recent years. However, the application of text similarity tools to Semitic languages such as Arabic faces unique challenges. Moreover, the increasing number of texts being made available online, not only in native languages but also in translation, adds further challenge to identifying similar portions of texts across different d...

The field of generative metrics attempts to characterize the tacit knowledge of fluent participants in a metrical tradition. An adequate metrical analysis will characterize the set of phonological structures constituting well-formed verse in a particular tradition and meter. Structures that meet this criterion are termed metrical. An adequate analysis will also specify differences of complexity...

No one disputes that male and female brains are different or that males and females differ in their accomplishments. But are these two facts related? A few years ago Harvard President Larry Summers suggested that the answer is yes. He proposed that innate brain differences help to account for the dearth of successful women in science, provoking much heated debate. Reporters called it the story ...