The present paper proposes a new approach for detecting music boundaries, such as the boundary between music pieces or the boundary between a music piece and a speech section for automatic segmentation of musical video data and retrieval of a designated music piece. The proposed approach is able to capture each music piece using acoustic similarity defined for shortterm segments in the music pi...

Speech and music have structured rhythms. Here we discuss a major acoustic correlate of spoken and musical rhythms, the slow (0.25-32Hz) temporal modulations in sound intensity and compare the modulation properties of speech and music. We analyze these modulations using over 25h of speech and over 39h of recordings of Western music. We show that the speech modulation spectrum is highly consiste...

In the research of interactive music generation, we propose a music generation method, that the computer generates the music, under the recognition of human music conductor’s gestures. In this research, the generated music is tuned by the recognized gestures for the parameters of the network of chaotic elements in real time. The music conductor’s hand motions are detected by Microsoft Kinect in...

the aim of this study was to investigate the effect of external intervention factor (types of music) on physical fitness factors in adolescent boys. 30 adolescent boys (9-12 years old, msd height, weight and bmi: 133.82.40 cm, 35.62.97 kg, and 19.91.21 kg/cm2), were selected and performed the tests in three stages (fast music, slow music, control) with counter balance method. in each stage, the...

One of my research goals is to enrich music listening experiences by deepening each person’s understanding of music. Music listening experiences depend on music-understanding abilities. Although the music-composing/performing abilities of musicians are often discussed, the music-understanding abilities of casual listeners have not been well discussed or studied. It is difficult, for example, to...

In Indian classical music, ragas constitute specific combinations of tonic intervals potentially capable of evoking distinct emotions. A raga composition is typically presented in two modes, namely, alaap and gat. Alaap is the note by note delineation of a raga bound by a slow tempo, but not bound by a rhythmic cycle. Gat on the other hand is rendered at a faster tempo and follows a rhythmic cy...