In 1874, Jean-Baptiste Carpeaux’s (1827-1875) Les Quatre Parties du monde soutenant la sphère céleste (The Four Parts of the World Supporting Celestial Sphere), also referred to as Fontaine des quatre-parties-du-monde (Fountain World), was installed at southern end Luxembourg Gardens in Paris (Figure 1). By interrogating Fontaine’s site and iconography vis-à-vis Second French Empire, this paper...