The seamless integration of interactive media into a museum setting is a major design concern for museum exhibition developers. Matching the scale and interactivity of multimedia exhibitry with physical objects on the one hand and visitor dynamics on the other is a difficult undertaking. This is especially true because the traditional design of multimedia presentations are optimized for single ...

Since the end of 20th century, museum institutions have been adopting logic communication, promotion, and administration typical cultural industries, mainly Cinema. In 1994, Andreas Huyssen argued that museum, as an elitist place preservation canon high culture, gave way to a mass medium. Cinema became paradigm contemporary activities whose new exhibition practices respond changing expectations...

This study explores the processes and curatorial techniques that support corporeal engagements with online exhibitions. Exhibitions, physical otherwise, are a complex interplay between spaces - real imagined -audiences, tangible or intangible objects. is guiding notion of this article, supported by Merleau-Ponty's perspective relation internal human experiences external bodily encounters shape ...

Complex ideas like evolution-which run counter to common, but mistaken, intuitive knowledge are challenging, both for exhibit developers and for the evaluation and research teams who assess the impact of exhibitions. It is always difficult to document measurable changes in deep conceptual understanding following a single visit to an exhibition (Allen, 2008, p. 58); Is this even possible with co...

Museums and Art Galleries are challenged to inspire, engage and involve visitors by presenting their collections within physical exhibitions. Curators and exhibition professionals are increasingly telling stories using digital interactivity. This work introduces Quando, a visual programming based toolset that domain experts can use to create interactive exhibits. A small case study demonstrates...