Comparative studies of British-American ballad tunes have in most cases been based on transcriptions of a single stanza of each ballad analyzed. Folk singers rarely sing any two stanzas of a ballad in exactly the same manner. Nor i s a second rendition of a ballad likely to be an exact reproduction of the f i rs t rendition. Thus it cannot be expected that the application of this method will pr...

The transition from syllabic to syllabo-tonic verse in Russian poetry the 1730s — early 1740s years is connected activity of three outstanding writers: Vasilii Trediakovskii (1703–1769), Mikhail Lomonosov (1711–1765) and Aleksandr Sumarokov (1717–1777). This reform concerned first foremost binary ternary meters paved way for creation more complicated meters, among them equivalents ancient Aeoli...

This translation of Haramekhala - tantra of the author is based on Banaras Hindu University manuscript which seems to be a novel one. The manuscript runs into 133 stanzas in all in the form of dialogue between lord Siva and goddess Parvati. This is only the first chapter (of the great work) dealing with medicine. From stanza 109 onwards some magic spells are described and as such those have not...

Metrical patterning and rhyme are frequently employed in poetry but also in infant-directed speech, play, rites, and festive events. Drawing on four line-stanzas from nineteenth and twentieth German poetry that feature end rhyme and regular meter, the present study tested the hypothesis that meter and rhyme have an impact on aesthetic liking, emotional involvement, and affective valence attribu...

This research is supposed to find the types of personification and know which are dominant in Call Us What We Carry poems by Amanda Gorman. The previous has emphasized types, meanings, functions contained literary work. qualitative method was used this research. data were lines stanzas form within poem. theory Breen (2021) analyze results showed 3 51 total. Platonic type applied an action, pict...

A ninuectyue agaynst Treason is a ballad that was printed upon Queen Mary I’s accession. It comprised of fourteen stanzas; the first ten each have seven lines, and last four are only lines each. The not so much celebratory new Mary, but lesson or warning about dangers acting against Tudor monarch.