In 2017, English dubbing entered the mainstream on initiative of subscription video-on-demand service (SVoD) Netflix. Recent dubs have taken advantage largely convention-free industry and, in 2019, outsourced by Netflix to VSI London saw introduction linguistic variation into Spanish originals, such as Alta Mar (High Seas) (Campos and Neira 2019–) most notably, Hache (Torregrossa Trullols 2019–...

This article aims to describe how written translations of audiovisual products change along the dubbing process until they reach the audience, focusing mainly on the synchronisation stage. The corpus is made up of the first reel of the Catalan and Spanish translations of three different films released in 2006 (Casino Royale, Good night and good luck, and The Da Vinci Code). After a brief summar...

The sudden boom of non-English language content on popular streaming platforms has obliged media localisation companies to react and adapt quickly provide the market with English dubbing lip-synch services. This comes several challenges due absence a long-established tradition professional practice, as well lack consolidated norms conventions, or textual repertoire act point reference. paper bu...