نتایج جستجو برای: pottery in shahreza
تعداد نتایج: 16977002 فیلتر نتایج به سال:
Many potteries have been discovered from excavations and a surface survey at Shahdad, but few works have beendone to examine craft specialization in pottery production at this important site. Different types of potteries, some ofwhich bearing potter marks demonstrate that craftsmen of the site had involved in manufacturing of centralized potteryproduction. A number of kilns and many waste of po...
this paper presents the petrographic examination results on the thirteen pottery sherds from the first season of excavation of tepe gratziani in sistan plain. in order to specify whether the pottery were local or imported, conducted experiments have been performed by polarizing microscope of jame swift model in the petrographic lab of the institute of cultural heritage which based on the review...
Mina`i pottery produced in the late Seljuk and Khwarezmshahi periods under the supervision of pottery masters and painters, is more diverse and magnificent in terms of design and portrait than the previous works. In this group of pottery, human figures have a special place and are often seen in pottery. Various geometric patterns have been used in the apparel of these motifs, which has made ena...
Shahr-I Sokhta is a historical settlement in south-eastern of Iran in the province of sistan-baluchestan, where the first settlement history goes back to 3200 BC. The results of excavations show four cultural-settlement period (I-IV) in this city that is divided into 11 phases. Period (II) goes back to 2500-2800 BC. The history of period (III) is equivalent to 2300-2500 BC, and history of perio...
Pottery is as the most abundant material data in the archaeology. Archaeologists have studied pottery from a different point of view, such as typology, stratigraphic situation and relevance, but less attention has been paid to pottery figures. Elements of aesthetical and harmonic such as repetition, symmetry, balance, proportion, concentration and etc are frequently seen on the prehistoric pott...
During the past few years, many publications about computer applications in the field of drawing, classification and analysis of archaeological pottery have been presented at various congresses by various researchers. This paper will review and analyze the most relevant works published so far. It focuses on computer applications oriented towards the graphical visualization and analysis of data ...
Using the example of pottery imported into the Channel ports of southern England, an approach to examining the role of pottery in the emergence and mediation of coastal communities is proposed here. Building on recent scholarship, it is argued that it is no longer tenable to see pottery as a carrier of identity, or as part of a ‘cultural package’, with meaning emerging with identity as people i...
Pottery and textile weaving were two art media during the Seljuk and Ilkhanid periods, which one or sometimes both were considered important according to circumstances. Numerous studies have been carried out on pottery and weaving in the Seljuk period, and in some cases the evidence left over from that time has been reviewed in a comparative method to determine to some extent how these works we...
Geophagia (the pica of pottery, clay, earth, or dirt) is practiced before and during pregnancy in several countries, including Mexico, Turkey, Australia, and some African countries, and has been linked with cultural fertility beliefs and the satisfaction of cravings. Unfortunately, consumption of contaminated pottery can represent a source of lead exposure. Concerns regarding ingested pottery a...
Virtual Pottery is an interactive audiovisual piece that uses hand gesture to create 3D pottery objects and sound shape. Using the OptiTrack motion capture (Rigid Body) system at TransLab in UCSB, performers can take a glove with attached trackers, move the hand in x, y, and z axis and create their own sound pieces. Performers can also manipulate their pottery pieces in real time and change arr...
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