The author elaborates his proposition concerning the distinction of culturalhistorical and political identity by differentiating cultural-historical majorities and minorities from political winners and losers. He points out to a democratic paradox according to which a state is governed by political minorities of winners and not by political majorities of losers. In multi-ethnic societies, holds...

This article explicitly connects a growing body of specific literature, the political ecology of conservation, tosome of the often overlooked, main conceptual components emerging from political anthropology andgeography (sources of legitimacy, governmentality, territoriality, or state making), political economy(commoditization, market integration, niche markets, or gentrificatio...

Political process theories of social movements have relied on a set of oppositions between culture and structure that has limited their capacity to capture the supraindividual, durable, and constraining dimensions of culture. The solution is not to abandon an emphasis on "objective" political structures in favor of potential insurgents' "subjective" perceptions of political opportunities, but r...

My work in cultural psychology – i.e., sociocultural theory – has two branches. One is the study of psychological phenomena as cultural phenomena. The other is the study of the discipline of cultural psychology as a cultural phenomenon. By this I mean the concepts and methods and interventions that the discipline employs, and the cultural factors that shape them. The discipline of cultural psyc...

This article argues that we need to understand media as spaces where minorities increasingly communicate interests, make claims and mobilize identities. With a focus on diasporic groups, the article looks at the multi-spatial character of communication and mobilization and its consequences for expression and communication of cultural and political belonging. Diasporic groups represent some of t...

Visual archetypes from Russian Orthodox iconography shaped a widely understood visual vocabulary with politically important cultural meaning. Icons derived their symbolic authority from their status in Orthodox doctrine as divinely revealed sacred truth. Although the Bolsheviks who seized power in 1917 officially denounced organized religion, revolutionary artists nonetheless recycled iconic ar...

political conflict in the late twentieth century. Demands for ‘recognition of difference’ fuel struggles of groups mobilized under the banners of nationality, ethnicity, ‘race’, gender, and sexuality. In these ‘post-socialist’ conflicts, group identity supplants class interest as the chief medium of political mobilization. Cultural domination supplants exploitation as the fundamental injustice....

Explanations of the emergence of regional autonomy movements political organizations seeking to express sub-state affinities and interests often highlight cultural differences and economic incentives as important reasons driving regional elites and local politicians to form such organization and explain the support regional autonomy movements receive. In this paper I employ a specialized agent-...

This paper intends to construct a framework of understanding the Cultural Revolution and the complexities of such an event on the basis of historically novel forms of political, social and ideological relations. It brings the Cultural Revolution back in a good light so as to show its immense, autonomous historical importance as well as its continuing relevance. It studies and establishes the re...