The present paper studies the use of Şūfī al-Ḥusayn b. Manşūr al-Ḥallāj as a mask in modern Arabic poetry, specifically influence this figure exerted on Adūnīs (‘Alī Aḥmad Sa’īd; 1930), ‘Abd al-Wahāb al-Bayyātī (1926-1999) and Şalāḥ al-Şabūr (1931-1981). It examines how these poets used al-Ḥallāj’s order to express contemporary national, social meta-poetical issues. will also demonstrate intent...