Since the economic reform in Vietnam in 1986 provided more artistic and financial autonomy, the arts community has had more opportunity to develop. It has hence become necessary for arts leaders to obtain management and marketing skills to adapt to the new competitive environment. This necessity became vital when the Vietnamese government sought to tackle the problem of inadequate state funding...

The Japanese government has recently launched a number of new research funding schemes. We are already familiar with two types of funding mechanisms: non-targeted research funding channeled into the academic sector through a system of peer-review selection, and establishment of independent laboratories designed to meet specific demands in the manner frequently practiced by government laboratori...

This paper argues that the entrepreneurial leader in non-profit PAOs has received too little attention in literature pertaining to these organisations. This criticism also applies to museums. The paper explores how leaders in non-profit performing arts organisations balance the interests of the various funding sources and market opportunities to service their revenue requirements. It reviews a ...

In this paper, we present a spatial model of the public provision of the performing arts. Agents behave boundedly rational. Art directors set performance quality according to their aspiration levels. While taking into account the spatial distribution of the population, administrative directors in calculating ticket prices ignore that they compete with neighboring performing arts organization (P...

No good comparable data on the sizes of cultural sectors of the countries of Europe exist. Impressions of preliminary data suggest that local and national governments of Europe spend substantial resources on culture and that the cultural sectors contribute significantly to employment and national income. After describing the special features of cultural goods and clarifying some misconceptions ...

Medical Problems of Performing Artists, since its inception under the legendary Alice Brandfonbrener's guidance and vision, has always recognized the need for voices to be heard from the clinic, stage, and experimental research. This has been important in a relatively young field like performing arts medicine, where there is not yet a robust base of evidence to draw from for the complex range o...

Elegance is pursued and appreciated in virtually all aspects of our lives, from fashion to visual and performing arts, from literature to architecture. While most of us praise the elegance and beauty of science when we see it, elegance is typically treated as something that need not concern our research and thus does not belong inside the laboratory. In this article, we provide an alternative p...

Accents are local events that attract a listener’s attention and are either evident from the score (immanent) or added by the performer (performed). Immanent accents are associated with grouping, meter, melody, and harmony. In piano music, performed accents involve changes in timing, dynamics, articulation, and pedaling; they vary in amplitude, form, and duration. Performers tend to “bring out”...

The authors are proposing an approach to creative forms of performing arts allowing diversity and unity to coexist. In their view, this is possible through a cross-fertilization of Western and nonWestern cultures in which the main theoretical and practical knowledge sources would derive from cognitive anthropology and the experience acquired by learning from acknowledged masters. Having questio...