نتایج جستجو برای: molavis mathnavi

تعداد نتایج: 40  

ژورنال: مطالعات عرفانی 2007
قیومی , سمیرا ,

The best way of explanation and interpretation of mystical texts – here especially regarding Molana’s Mathnavi – is searching the hidden meaning of the text through other parts of it and other literary mystical works, especially those that were before him. This way besides giving us a certain interpretation of the text, will sometimes confront us with new manifestations of meaning and other und...

Journal: :جستارهای ادبی 0
قبادی قبادی غلامحسین زاده غلامحسین زاده مشرّف مشرّف رامین نیا رامین نیا

mowlavi`s mathnavi is such a mysterious and boundless sea that it is full of pure conceptions. it has been composed to emanate the desired life for creation of an ideal human. it is boundless, because it is full of pure gnostic, philosophical and kalami arguments, as well as social conceptions. it is mysterious, because from every perspective it shows off a unique aspect. being mysterious is no...

Hypertexts, both interpretive and critical, are formed around the texts, and they play a significant role in the dissemination, consolidation or distortion of the organized knowledge order. Therefore, even those hypertexts formed out of sympathy or empathy cannot be overlooked. A Little Rude, Much Courteous in Mathnavi, as a hypertext has described and interpreted a number of subjects in Mathna...

ژورنال: مطالعات عرفانی 2007
خسروی, حسین ,

In this article the methods of Mowlavi’s symbolization is studied by analysing one of the stories of Mathnavi. His method is shown in two ways in this story: first, a symbological analysis of the story is displayed then, there is a diagram that shows the evolution of meaning and its ascend and descend. Symbolism is one of the poetic imaginative figures for whose variety of concepts and extensi...

Journal: :کاوش نامه زبان و ادبیات فارسی 0
محمد پارسانسب عضو هیات علمی دانشگاه خوارزمی

the study of source of mathnavi goes back to the age of composing “maakhez e qesasvatamsilatemathnavi”. undoubtedly, the present study will remove most of ambiguities in the field. however, the results of the studies have been unremarkable so farindicating we cannot think just about one source. mathnavi is originated of moulana’s interactions with lots of sources and religious, historical, inte...

ژورنال: گلجام 2009
شایسته‌فر, مهناز, صباغ‌پور آرانی, طیبه,

Since long ago the motif of “fish” has been one of the motifs employed in Persian artworks. As well as having extraordinary beauty of form, fish has deep symbolic meanings and has motivated Persian artists of different ages to employ it in their works. Rugs of Safavid era are among such artworks. Both in ancient Iranian mythology and also in Islamic culture, fish has enjoyed a signi...

ژورنال: مطالعات عرفانی 2007
ذکاوتی قرا گزلو, علیرضا ,

The use of fiction for expressing mystical meanings has started with Sanaee, and reached its climax with with Mowlavi’s Mathnavi. On one hand, Mowlavi follows the holy Quran in telling stories, and focuses on one story in different places and situations. Because of this, like the holy Quran, Mathnavi has several layers which starts from the first layer, and while telling the story, displays the...

ژورنال: مطالعات عرفانی 2006
کزّازی, جلال الدین ,

Mulana Jalal Al-Din is one of the most exuberant scholars of iran. He has raised the persian mystical literature to its peaks. His poems have always dedeply fascinated the beart-burnt people of the world. His most maginficant piece of poetry in Mathnavi starts with what the reed has to say. He views the reed as a manifesstation of himself and al other hurt people. He has selected the reed from...

Journal: :ادب فارسی 0
علی محمّدی استاد زبان و ادبیّات فارسی دانشگاه بوعلی سینای همدان آرزو بهاروند کارشناس ارشد زبان و ادبیّات فارسی دانشگاه بوعلی سینای همدان

story-ending is one of the elements which have led to a new approach to the literary criticism. mowlānā’s art of storytelling is really a unique one. the narrative techniques have made the structure and the contents of mathnavi intertwined. story-ending is one of the aesthetic features that play an impressive role in the stories this masterpiece.  mowlānā’s story-ending technique has been analy...

Journal: :جاویدان خرد 0
آکیرو ماتسوموتو عضو هیات علمی دانشگاه اوزاکا ژاپن

this paper examines the nature of language in the works of mawlana jalal al-din rumi and consists of three sections: language and reality in rumi; the complex view of language in fihi ma fihi (the discourses of rumi); and, poetry and mysticism in rumi. the paper discusses three main topics: rumi's ambivalent attitude to language, which is seen as both a means of conveying truth and guidanc...

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