نتایج جستجو برای: environmental embellishment

تعداد نتایج: 370532  

2009
Glyn Harman Angel Kumchev

Abstract. In this paper we continue our study, begun in [11], of the exceptional set of integers, not restricted by elementary congruence conditions, which cannot be represented as sums of three or four squares of primes. We correct a serious oversight in our first paper, but make further progress on the exponential sums estimates needed, together with an embellishment of the previous sieve tec...

Journal: :Journal of Personality and Social Psychology 2011

2007
JUDY EDWORTHY

In his article ‘On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts’, David Huron (2007) takes four metrics known in the psychological literature to affect perceptual segregation and applies them to embellished versus unembellished versions of 50 of Bach’s chorales. In all cases he argues and demonstrates that the embellished versions of the chorales are...

2013
Christopher H. Chatham

Trafimow (2013) rejects the notion that data can militate against a theory if the data is wholly irrelevant to the theory. This very reasonable-sounding argument may not hold in the important (and common) case where competing models are being compared. The underlying issues may be clarified by way of example. Consider the active debate on the contributions of fMRI to cognitive theory (e.g., Mat...

Journal: :Journal of personality and social psychology 2011
Jesse Lee Preston Ryan S Ritter Daniel M Wegner

Naïve theories of behavior hold that actions are caused by an agent's intentions, and the subsequent success of an action is measured by the satisfaction of those intentions. However, when an action is not as successful as intended, the expected causal link between intention and action may distort perception of the action itself. Four studies found evidence of an intention bias in perceptions o...

2012
Sergio Giraldo Rafael Ramirez

 Professional musicians manipulate sound properties such as timing, energy, pitch and timbre in order to add expression to their performances. However, there is little quantitative information about how and in which context this manipulation occurs. This is particularly true in Jazz music where learning to play expressively is mostly acquired intuitively. In this paper we describe a machine le...

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