Originally published in 2003, this article presents one of the first attempts to provide a systematic summary of the new concept of cultural technique. It is, in essence, an extended checklist aimed at overcoming the textualist bias of traditional cultural theory by highlighting what is elided by this bias. On the one hand, to speak of cultural techniques redirects our attention to material and...

In this cross-cultural study, we primarily aim to present research-based evidence to examine the main gender characteristics associated with socialization. Using the symbolic interaction theory and the socialization theory, this cross-cultuural analysis particularly explores the construction and representation of gender identity through educational systems. The fields of this stu...

Contemporary research on emotions has been increasingly demarcated into four self-contained segments: the cultural, biological, inner, and outer aspects of emotional processes. A parallel trend is the increasing hegemony of the perspective of those who study only the cultural and outside segments. Research on cultural variation, the causation of emotional states, and cultural universals is revi...

The representation of minority culture is central to ethnic tourism development. However, only limited attention has been paid to cultural representation in ethnic attractions. This research examines representations of multiple ethnic cultures in the Yunnan Ethnic Folk Villages, China. The perspectives from four key groups of stakeholders— governments, park managers, employees and tourists—are ...

In diasporic literature the question of identity is tangled with the question of history. This study aims at discussing how Yasmin Crowther reviews the Persian tradition in The Saffron Kitchen, her autobiographical novel which is mainly set-in early 60s, Iran. The novel focuses on evoking and rewriting history by using different types of counter narratives that contrast with Iranian hegemonic d...

In this paper, we introduce the concept of a “Hegemony of Play,” to critique the way in which a complex layering of technological, commercial and cultural power structures have dominated the development of the digital game industry over the past 35 years, creating an entrenched status quo which ignores the needs and desires of “minority” players such as women and “non-gamers,” Who in fact repre...

Whilst in recent years a number of historians and sociologists have analysed sports as social, cultural and economic processes, relatively few have considered the cultural and ideological implications of sport as an object of representation. This thesis aims to intervene in such debates by considering the emergence and development of the discourse of cricket, a sport intimately associated with ...