نتایج جستجو برای: cinema as a cultural industry
تعداد نتایج: 14067360 فیلتر نتایج به سال:
abstract cinema as a social environment provide a basis and special situation in which people can gather together, experience a different relationship and can find a new thinking or behaving approach via watching the movies. by going to cinema people in addition to utilize their leisure time effectively, they gradually shape their attitudes and behaviors based on what they have seen and heard. ...
a major concern in the last few years has been the fact that the cultural centers are keeping distance with what they have been established for and instead of reproducing the hegemony, they have turned into a place for resistance and reproduction of resistance against hegemony. because the cultural centers, as urban public spaces in the last two decades, have been the subject of ideological dis...
abstract reception environment has considerable effects on accepting a translation. as the expectations of a target culture and its values and needs change throughout history, its criteria for accepting a translation or rejecting it will change accordingly (gentzler, 2001). the expectations of iran, as the reception environment in the present study, have changed after the islamic revolution. i...
In 2002, ‘film’ consolidated a position within municipal governance as part of the Brisbane City Council’s economic development program based on the ‘new economy’ understanding of the role of the city as the physical location of commercial and cultural activity. This positioning of film within the notion of industry clustering, and the acknowledgment that production technologies of film and tel...
the following null hypothesis was proposed: h : there is no significant difference between the use of semantically or communicatively translates scientific texts. to test the null hypothesis, a number of procedures were taken first, two passages were selected form soyrcebooks of food and nutrition industry and gardening deciplines. each, in turn, was following by a number of comprehension quest...
Digital cinema (d-cinema) is the highest quality electronic motion imagery for entertainment. The cinema is presented in a theatrical environment, with high brightness projectors, high rate data transfer, and high resolution color imagery. The entertainment industry uses formats that are specific to film-based electronic imagery. This report describes software tools for viewing digital cinema s...
Audiovisual translation, the same as other forms of intercultural communication, tends to intervene with the original in order to comply with the norms of the receiving culture. Since the Islamic Revolution of 1979, the Iranian cinema has resorted to a conservative approach wherein the portrayal of the role of women, among other cultural issues, has been controlled to adapt to the Islamic thoug...
Based on the data provided by the cultural authorities in the past 20 years, about 40 million audiences of cinema in Iran have been fallen. In other words, Iranians, on average, are spending only 15 minutes in a year at cinemas. The main objective of this study was to investigate this fact hence Bourdieu's theory was utilized to study the effects of social, cultural and economic capitals on cin...
abstract in first part of this project, the use of a new and biguanid-like catalyst supported on silica as a recyclable catalyst provides a new route for the synthesis of a variety of arylalkylidene rhodanine derivatives through knoevenagle reaction in at present of solvent at room temperature. rhodanine derivatives and especially arylalkylidene rhodanines have proven to be attractive compound...
as the canon is shaped by white male standards rewriting the canonical works of literature is one of the ways through which postcolonial writers subvert the authority of the masters. writing in the language of the masters the colonized writers use the very suppressive tool in the hands of the masters i.e. their language to question the validity of their norms. regarded by most critics to be the...
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