In this article one of the metapoetic principles A. I. Solzhenitsyn is analyzed – ‘a dialogue with a classic writer’. his sketch Immersing into Chekhov renders pleasure aesthetic insights from encounters Chekhov, enters conversation him, argues Chekhov’s world outlook. Thereby Solzhenitsyn’s own ‘creative lab’ revealed to reader.

Teffi’s theatrical work has not been investigated to any great extent. As Teffi was dubbed the ‘female Chekhov’, I aim explore similarities with Chekhov’s dramatic by comparing two of her early miniatures Chekhov vaudevilles in order find out how he may have influenced and where instead she seeks own way. A more general analysis an full-length drama coupled a comparison that features major dram...

Literary scholars have recently shown growing interest in interrelation between Chekhov’s worldview and creativity. This article is dedicated to this topic. The question of the writer's has long caused intense debate. There are multiple works Chekhov's religious worldview, natural science materialism, naturalism; however, topic Chekhov geographical determinism poorly studied. Although...

The Russian writer and physician Anton Chekhov (1860-1904) draws on his clinical experience in many of his stories. One of his later masterpieces entitled A Case History (1898) depicts a physician's visit to a small industrial community where a wealthy young woman is suffering from diffuse symptoms. The physician, Dr Koryolov, meets the patient and makes a diagnosis. While staying on the estate...

We investigate the two-logarithm matrix model with the potential XΛ+ α log(1 + X)+β log(1−X) related to an exactly solvable Kazakov–Migdal model. In the proper normalization, using Virasoro constraints, we prove the equivalence of this model and the Kontsevich–Penner matrix model and construct the 1/N -expansion solution of this model. E-mail: [email protected] E-mail: [email protected]

This book is based on a series of case studies of audiences in England, the USA, and Australia, largely using detailed ethnographic and qualitative research. Tulloch is particularly interested in the relationship between spectator positions often constructed in production and social audience readings taking place among actual audiences. ‘Liveness’ and recent conceptual research around the theat...

Chekhov, Fock and Kashaev introduced a quantization of the Teichmüller space T (S) of a punctured surface S, and an exponential version of this construction was developed by Bonahon and Liu. The construction of the quantum Teichmüller space crucially depends on certain coordinate change isomorphisms between the Chekhov-Fock algebras associated to different ideal triangulations of S. We show tha...

The drama of the American writer Wendy Wasserstein is an important material for literary studies. Of particular interest study intertextual aspect her work. article analyses interpretation Chekhov`s motives (on example “Three Sisters”) in Wasserstein’s on play “Sisters Rosensweig” (1992). It determined that concept intertextuality studies means interaction any text with each other, superpositio...