Data mining techniques can provide valuable insight to understand mobility in museums. However, the results of such techniques might not be easily understood by the museum staff. In this paper, we propose a graph-based approach to model museum exhibitions, sensor locations, and guiding tasks. We further discuss how route-based trajectory mining can be adapted to work with this graph model and w...

We describe an innovative system designed for museums to create, manage and present multimedia based representations of museum artefacts in virtual exhibitions both inside and outside museums. Our system creates digital surrogates through a novel stereo photogrammetry system with little user interaction. The resulting 3D objects are refined using state-of-the-art 3D modelling software configure...

The Polytechnic Museum began to collect calculating devices and computing machines in the first years of its formation in the 1860s.. Today, the Museum has the Fund Collection “Electronic Digital Computing Machines”, which consists from seven systematic collections and eleven personal funds of Russian scientists. There are about three hundred objects and over sixteen hundred documentary, printe...

A virtual museum guide agent that uses human relationship-building behaviors to engage museum visitors is described. The agent, named “Tinker”, appears in the form of a human-sized anthropomorphic robot, and uses nonverbal conversational behavior, empathy, social dialogue, reciprocal selfdisclosure and other relational behavior to establish social bonds with users. Tinker can describe exhibits ...

'Interactives" have become an integral part of the exhibits of many museums. The term 'interactives' has been used as a shorthand description for interactive multi-media displays based around a computer and operated by an individual. In the Powerhouse Museum, Australia's largest museum, the term's usage has been expanded to include manually controlled exhibits that don't use a computer at all. ...

The 2011 opening at the Computer History Museum of the world’s largest and most complete physical and cyber exhibit of computing history marks the sixth stage of a public museum’s evolution, which began in 1975 with a closet-sized exhibit in a Digital Equipment Corporation building, migrating to The Computer Museum, Boston. It now lives in an 119,000 square foot public home in Silicon Valley. T...

Museums want audiences to engage with their collections and ideas, but recognize that traditional methods of unidirectional on-line and in-gallery communications have limited access and dialog. Supporting social tagging of museum collections, and providing access based on the resulting folksonomy, opens museum collections to new interpretations that reflect visitors’ perspectives rather than in...

The last few years several museum networking projects have been started and completed or are still ongoing. The European Museum Network (EMN) and Remote Access to Museum Archives (RAMA), to name only two, are examples of these projects. The museum world is becoming aware that relevant information may be obtained from all over the world, and that co-operation between museums is no longer limited...

The relationship between museums and mass media as well as the possible impact of information technology on museums are described. The “virtual museum” is defined as a means to establish access, context, and outreach by using information technology. The Internet opens the “virtual museum” to an interactive dialog with virtual visitors and invites them to make a virtual museum experience that is...

The proposed service suggest the visitor a museum which is currently better to attend, based on visitor preferences and current situation in the region. For this purpose, smart environments of region museums have to be organized. The smart environment is a decentralized infrastructure which allows different devices to share required information between them. Every user of the smart museum servi...