نتایج جستجو برای: it is concluded that during safavid era
تعداد نتایج: 9288376 فیلتر نتایج به سال:
Iranian painting has always appeared in the form of manuscripts. Manuscripts have been admitted to provide artists with the work of coordinating and linking between writing and graphic art and empty spaces, to reach a beautiful and balanced layout of interest to artists. This article attempts to study the evolution of book publishing practices and has a fresh look at the layout of Iranian manus...
the development of the persian poetry in the indian subcontinent is investigated in this paper. it is emphasized that the persian literature and language was developing in india along with the persian literature and language in iran. any transition of any nature occurring in iran left its impact on even remote lands, making the ground for khorasani, azarbayejani and araghi styles flourish in in...
Stage Historical and literary evidences and texts as well as works of art of the Safavid era point to the abundance of gatherings of festivity and joy in this era. These gatherings have been a part of programs of the Safavid kings and princes on various occasions. The painters of Tabriz II School have made significant efforts to demonstrate the magnificent manifestations of the kings and prince...
Iskandarnāma Naghali as the last version of Alexander’s story in the Safavid era, which was republished and illustrated in Qajar dynasty, became one of the most popular folk tales of that time. The story of Alexander has got a special place among folkloric literature due to the various versions of its in prose and poetry and numerous narratives of it in Greek, Pahlavi, Farsi and so on. Thus, th...
nasuh, known as matrakci was a miniature painter who accompanied king suleiman kanuni during hiscampaign to iran in 940-42 ah/1533-36 ad and he has drawn many miniature from lots of iranian cities including khoy, tabriz, zanjan, soltaniyeh, hamedan, and ghasre shirin to baghdad and shahre zur, baneh, bukan, maraghe. being capital during one part of the safavid dynasty and in the other part as t...
within the components of communicative competence, a special emphasis is put on the “rules of politeness,” specifically the politeness strategies (brown and levinson, 1978) that speakers deploy when performing the request speech act. this is because the degree of imposition that making a request places upon one’s interlocutor(s) has been seen to be influenced by several factors among which, as ...
The Safavid Era is considered as the golden age of Iranian carpet history, which in addition to beauty of pattern, motif and color, has yielded worthwhile concepts on its carpets. The lion motif is one of those motifs on carpets of Safavid Era which have been depicted as both a prey and a hunter. Repetition of, and emphasis on this motif, which contains diverse concepts and senses in Iran...
sange siyah dam is located two kilometers down the kabod khani village. the environ of ghorrve city in kurdestan province. this is an clay core dam. in this dam instrumentation is performed in three section and consist of electrical piezometers, total pressure cells, settlement cells and so on. the main objective of instrumentation is to control the behavior of dam body and foundation, end else...
a one dimensional dynamic model for a riser reactor in a fluidized bed catalytic cracking unit (fccu) for gasoil feed has been developed in two distinct conditions, one for industrial fccu and another for fccu using various frequencies of microwave energy spaced at the height of the riser reactor (fccu-mw). in addition, in order to increase the accuracy of component and bulk diffusion, instanta...
abstract since heubners (1985) pioneering study, there have been many studies on (mis) use/ non-use of articles by l2 learners from article-less and article languages. the present study investigated how persian l2 learners of english produce and interpret english definite descriptions and demonstrative descriptions. it was assumed that definite and demonstrative descriptions share the same cen...
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