Yaghma, The literary magazine in the field of poetry, started its activity with the aim of preserving ancient achievements and countering every kind of unapproved innovations and novelty. This was in spite of the fact that many years had passed since the beginning of modern poetry and there have emerged famous figures in Nimaei poetry. The present article intends to see how much Yaghma was succ...

Conclusions, and Implications The purpose of this research was to determine whether or not poetry (i.e., poems, ballads, and songs) could be used as a source of knowledge on historic dress in a social, political, or economic context, using the dress of Scottish Highlanders from 1603 through 1830 as an example, and to triangulate the findings with other sources that portray dress through the wri...

Existing poetry generation systems usually focus on particular features of poetry (such as rhythm, rhyme, metaphor) and specific techniques to achieve them. They often resort to template-base solutions, in which it is not always clear how many of the alleged features of the outputs were already present in the template employed. The present paper considers two specific features – thematic consis...

The paper investigates the linguistic models for poetry retrieval purposes and raises the importance of access to advanced exploratory search engines, which, according to the Maslow’s hierarchical pyramid of needs, address the needs of higher order associated with self-fulfilment and satisfaction of informational-cognitive aesthetic ambitions of non-verbal transmission. This task statement is f...

Archaic Athenian vase-painting of the sixth century BC exhibits visual narrative phenomena that are very similar to the verbal narrative patterns of traditional, orally composed poetry: in the poetry these are the familiar formulaic phrases and themes analyzed by Milman Parry and the ensuing train of oral theorists; in the art they take the form of repetitious iconography and recurrent composit...

Like psychoanalysis, poetry is possible because of the nature of verbal language, particularly its potentials to evoke the sensations of lived experience. These potentials are vestiges of the personal relational context in which language is learned, without which there would be no poetry and no psychoanalysis. Such a view of language infuses psychoanalytic writings on poetry, yet has not been f...