This paper presents the current advances in “The Muses of Poetry”, an on-going project that combines interaction, emotions and poetry. The goal of the project is to create an interactive installation where a virtual character not only recites poetry, but also manifests the affective content of the poem through facial expressions and voice rhythm. The novelty of our work is the combination of di...

This paper presents the advances in expressive speech for the interactive installation The Muses of Poetry, as well as the results of an evaluation to assess the interaction and emotional experience of the participants. The objective of the installation is to bring poetry closer to a wider audience through the use of animated characters who not only read poetry, but also manifest the emotional ...

In his article "Politics of Indigeneity in Fogarty's Poetry" Sean Gorman discusses Indigenous themes and issues with regards to the poetry of Murri writer Lionel Fogarty. As Fogarty is seen as a poet who writes complex prose, his material challenges non-Indigenous readerships by subverting Standard English and conventional reading practices. Gorman suggests strategies by which to engage with Fo...

CONCEPTIONS OF THE POETIC IN CLASSICAL GREEK PROSE Alison C. Traweek Dr. Sheila Murnaghan This dissertation explores how prose authors of the Classical period envisioned literary distinctions, particularly how and when they labeled a particular utterance ‘poetic’. The first chapter addresses fifth-century prose authors whose work survives in significant degree (Herodotus, Thucydides), or whose ...

A growing number of studies are investigating the way that aesthetic experiences are generated across different media. Empathy with a perceived human artist has been suggested as a common mechanism [1]. In this study, people heard 30 s excerpts of ambiguous music and poetry preceded by neutral, positively valenced, or negatively valenced information about the composer's or author's intent. The ...

Yaghma, The literary magazine in the field of poetry, started its activity with the aim of preserving ancient achievements and countering every kind of unapproved innovations and novelty. This was in spite of the fact that many years had passed since the beginning of modern poetry and there have emerged famous figures in Nimaei poetry. The present article intends to see how much Yaghma was succ...

Conclusions, and Implications The purpose of this research was to determine whether or not poetry (i.e., poems, ballads, and songs) could be used as a source of knowledge on historic dress in a social, political, or economic context, using the dress of Scottish Highlanders from 1603 through 1830 as an example, and to triangulate the findings with other sources that portray dress through the wri...

Existing poetry generation systems usually focus on particular features of poetry (such as rhythm, rhyme, metaphor) and specific techniques to achieve them. They often resort to template-base solutions, in which it is not always clear how many of the alleged features of the outputs were already present in the template employed. The present paper considers two specific features – thematic consis...

The paper investigates the linguistic models for poetry retrieval purposes and raises the importance of access to advanced exploratory search engines, which, according to the Maslow’s hierarchical pyramid of needs, address the needs of higher order associated with self-fulfilment and satisfaction of informational-cognitive aesthetic ambitions of non-verbal transmission. This task statement is f...