In the modern consciousness, they keep “classical” historicity and eschatology taking form of post-historicity post-apocalypticism. Such a state can be recorded in models consideration historical process expectation end history, both works authors at level “everyday” practices that use exploit history figure Apocalypse. It is worth noting expectations Apocalypse are no longer so tragic, built l...

Absürd tiyatro yazarı Eugène Ionesco, XX. yüzyıl insanını ve tüketim toplumunun bir portresini Yeni Kiracı adlı oyunda belirgin şekilde ortaya koymaktadır. “Bay” ismindeki burjuva karakter Paris’te apartman dairesi kiralamıştır kiraladığı bu daireye taşınacaktır. Bay’ın taşınmasındaki en büyük zorluk, eşyalarının fazlalılığıdır; oyun boyunca gitgide artan evin içine sığmayan eşyalar bütün evi d...

Film has the power to construct a person through symbols it sends in each scene. In addition construction of meaning, film also fold and manipulate reality into nothing more than narrow screen. This is known as hyperreality. Aquaman DC fantasy that tells story perfection hyperreal world Atlantis. study aims analyze hyperreality order build awareness visualization Atlantis commodity by capitalis...

this study investigates the process of dehumanization caused by a bizarre relationship between man and the machine. in the area of italian literature there are very few novels that take into consideration the heady world of industrialization. luigi pirandello (1867-1936) one of the most famous european playwrights, novelist and short story writer places accurate emphasis on this problem. he cho...

Since the initial creation of the Barbie doll in 1959, it became a symbol of US society. Likewise, the Licca-chan, a Japanese doll created in 1967, also became a Japanese symbolic doll of Japanese society. Prior to the introduction of Licca-chan, Barbie was already marketed in Japan but their sales were dismal. Licca-chan (an actual name: Kayama Licca) is a plastic doll with a variety of sizes ...

In constructing a distinctive polemic, postmodern architecture presented itself as a reaction to the modem movement, embodying both its negation and transcendence. In the ongoing debate over the definition of postmodernity as a cultural condition, the position of negation continues to come under severe criticism. This thesis attempts to understand constituents of the ideological discourse of po...

The box office smash from spring 1999, The Matrix, projects a vision of a world in which “real” world objects are actually simulations emerging from streams of bits. Finding himself pursued on a rooftop with no escape except a helicopter, the movie’s hero asks his guide, “Can you fly that thing?” “Not yet,” she says, as she calls their home base systems administrator for software that uploads j...

The brain image plays a central role in contemporary image culture and, in turn, (co)constructs contemporary forms of subjectivity. The central aim of this paper is to probe the unmistakably potent interpellative power of brain images by delving into the power of imaging and the power of the image itself. This is not without relevance for the neurosciences, inasmuch as these do not take place i...