The article explores the roles of historical gardens in Western cinema. A garden can make a location (Versailles), mimic another (Vaux-le-Vicomte as Chantilly Vatel), embody national way life (gardens National Trust 1995 TV series Pride and Prejudice), or be an abstract, to greater lesser extent, setting. In Atonement, becomes symbol, films about space (Silent Running) inner world metaphysics (...