Annibale Carracci (1560–1609) drew on the Italian Renaissance tradition of Man Sorrows to advance Christological message within altarpiece context his Pietà with Saints (1585). From its location at high altar Capuchin church St. Mary Magdalene in Parma, work commemorates life Duke Alessandro Farnese (1586–1592), who is interred right front Annibale’s painted image. The narrative development tra...