This work documents a design-led process of discovery for artistic development of real time 3D animations functioning as a visual extension to a live music performance. Musical dynamics, patterns, and themes are transposed into a visual form that develops over time through a carefully orchestrated process driven by the artist and the computer. Historical animations by Fischinger, Whitney, and “...

In this article I consider the ways in which group portraits of surgeons, a genre associated with inscriptions of corporate membership and institutional authority, reflected the complex and at times contradictory status of surgeons during the late Victorian period. Group portraits from this period offer a diverse range of representations of surgeons - from middle-class professional to hygiene r...

We demonstrate the artist detection component of Minnowmatch, a machine listening and music retrieval engine. Minnowmatch (Mima) automatically determines various metadata and makes classifications concerning a piece of audio using neural networks and support vector machines. The technologies developed in Minnowmatch may be used to create audio information retrieval systems, copyright protection...

We present a browser application that offers the user an enhanced access to the content of music web services. Most importantly, the technique we apply aims at making it feasible to add to the automated suggestion of similar artists some intentional spin, or direction. At the heart of the algorithm, automatically derived artist descriptions are analyzed for common topics or aspects, and each ar...

This paper describes a method of mapping music into a semantic space that can be used for similarity measurement, classification, and music information retrieval. The value along each dimension of this anchor space is computed as the output from a pattern classifier which is trained to measure a particular semantic feature. In anchor space, distributions that represent objects such as artists o...

Recent examination and treatment of the Worcester Art Museum’s Reclining Nude, c. 1925, oil on canvas, by the Dutch-born Fauve artist Kees Van Dongen (1877-1968) indicate that the artist used unorthodox materials and techniques, including selective varnishing to adjust color saturation and surface sheen. Examination also revealed resinlike beads exuded from unvarnished passages of paint conside...

The creative process can be described as a continuous feedback loop between the material and an artist’s decision making process. A skill can be described as knowledge of a material that allows making more informed decisions and more controlled interactions. As the artist attains a deeper knowledge of a material, the cognitive process involved in creation diverges from technical considerations ...

References: [1] Celestino Soddu, “Milan Identity”, Gangemi Pub, 2005 [2] C. Soddu, E.Colabella, “Il Progetto Ambientale di Morfogenesi”, Leonardo project, 1992 [3] www.generativeart.com www.soddu.it Abstract: looking at a sequence of artworks we can immediately identify which artist made it. But only if the artist imprinting, the artist style and unicity exists. Make own arworks recognizable as...

In music information retrieval (MIR), dealing with different types of noise is important and the MIR models are frequently used in noisy environments such as live performances. Recently, i-vector features have shown great promise for some major tasks in MIR, such as music similarity and artist recognition. In this paper, we introduce a novel noise-robust music artist recognition system using i-...

The current research seeks to identify the effectiveness of John Zahorik model in developing reflective thinking tenth grade students physics.The sample consisted (56) Scientific School (Ahmadi Khani)for academic year (2020-2021), consisting five divisions two were randomly selected be sample, (one represented experimental group (24) that taught by Zahorek's Model and other control (25) usual w...