BACKGROUND Several aesthetic indexes have been described to assess implant aesthetics. The aim of this study was to compare the aesthetic assessment made by dental professionals and students of single-tooth implants placed in the upper incisors. MATERIALS AND METHODS A cross-sectional survey study using a subjective questionnaire to assess the aesthetics in 3 implant supported single-tooth ca...

UNLABELLED A longitudinal field experiment was carried out over a period of 2 weeks to examine the influence of product aesthetics and inherent product usability. A 2 × 2 × 3 mixed design was used in the study, with product aesthetics (high/low) and usability (high/low) being manipulated as between-subjects variables and exposure time as a repeated-measures variable (three levels). A sample of ...

Aesthetics is a subject receiving increasing attention in the design of pervasive information systems. One reason is the realisation that existing approaches centred on usability and utility do not seem to cover aspects of use essential to the realm of the everyday. Another reason aesthetics enters the picture is that by leaving the established domain of personal computing, pervasive informatio...

Samuel Johnson, the colourful 18th-century English lexicographer, asserted that ‘No man but a blockhead ever wrote, except for money’ (Boswell, 1934). Since unlikely to be applicable to the two books discussed here, Dr Johnson’s quip leads one to seek alternative motives and ask what led the authors to write these books, and why and for whom each book was written. Dealing first with what inspir...

In this paper, I will explore the work of two contemporary environmental philosophers: Gernot Böhme, celebrated for his philosophy of architectural atmosphere although less known for his work on ecological aesthetics, and Luce Irigaray, a French philosopher renowned for her work inspiring a generation of feminist scholars but less well discussed for her work on environmental ethics. For Böhme, ...

This work proposes a coevolutionary theory of aesthetics that encompasses both biotic and human arts. Anthropocentric perspectives in aesthetics prevent the recognition of the ontological complexity of the aesthetics of nature, and the aesthetic agency of many non-human organisms. The process of evaluative coevolution is shared by all biotic advertisements. I propose that art consists of a form...

Perception plays a major role for interpretation or extracting information from remote sensing data and from thematic maps. With advances in information technology, there remains a necessary and critical role for the “human in the loop” in the interpretation of remotely sensed imagery, in earth sciences and cartography. On the side of information technology display systems play a critical role ...

INTRODUCTION The aim of the present position paper is to raise issues concerning aesthetic experience in relation to an ongoing work of designing an artefact encouraging video reporting of personal experiences. The work serves as an example of a design experiment where aesthetic qualities are emphasized, but where the resulting interactions have not yet been analyzed in relation to these qualit...

In her paper, "Aesthetics and Audiovisual Metaphors in Media Perception," Kathrin Fahlenbrach presents a model of audiovisual analysis where focus is on audiovisual aesthetics perceived physically and affectively. Fahlenbrach starts out from the assumption that image and sound are inseparable in audiovisual media and must be treated as a unit, a "synchresis" (Chion). Fahlenbrach proposes that o...

Although Great Britain is the country of some of the earliest contributors to aesthetics as an independent philosophical discipline, from Lord Shaftesbury to Edmund Burke, and the country of John Ruskin, who was probably the greatest and most influential art critic of the 19 century, the subject attracted little interest in philosophical circles towards the turn of the twentieth century. Of cou...