ion in upward direction in the subsequent rows of Table 1. This table shows some aspects of using dialectics in design practice: . Notice that in this table, at every subsequent row the new thesis equals the previous synthesis. This is conforming Hegel's formulation of dialectics. In every new row, one new (thus far `hidden') attribute is introduced, and one previous attribute looses its distin...

The cultural and creative industries have become a vibrant field of research in recent years. Increasing their contributions to GDP encompassing growing share the labour market, common feature many areas policy research, and, especially urban contexts, associated with significant spatial transformations. While origin concept ‘culture industry’ work Adorno Horkheimer is often acknowledged, conte...

An analysis of what the concepts and practices philosophy, dialectics, sophistics are in context Western Chinese paradigms is suggested article. philosophic tradition based on so-called Antique paradigm that exceeds from idea attaining happiness avoiding suffering before face alien threatening reality, then it passes through Abrahamic its Christian version with ideas monotheism creationism achi...

For 20th century mathematicians, the role of Cantor's sets has been that of the ideally featureless canvases on which all needed algebraic and geometrical structures can be painted. (Certain passages in Cantor's writings refer to this role.) Clearly, the resulting contradiction, 'the points of such sets are distinct yet indistinguishable', should not lead to inconsistency. Indeed, the productiv...

We propose in this paper a framework for inter-agents dialogue to reach an agreement, which formalize a debate in which the divergent representations are discussed. For this purpose, we propose an argumentation-based representation framework which manages the conflicts between claims with different relevances for different audiences to compute their acceptance. Moreover, we propose a model for ...

Modern aesthetics is fascinated by the quality of empirical expressions in art, where most unattainable forms experiences seek refuge to survive through temporal dialectics. Whereas modern art endeavors transcend its inherent experience suffering negating sociopolitical reality imposed suppressive pain, Theodor Adorno’s Aesthetic Theory associates itself with study a non‐discursive form that re...