This work presents the design and implementation of the DocEmoX system for the automated typography-derived emotional extraction and annotation of printed and electronic documents. The DocEmoX system targets the Design-for-All based multimodal accessibility of documents. The methodology is based on the results derived from a number of readers’ emotional state response experiments that model the...

A technique is described for constructing three-dimensional vector graphics representations of planar regions bounded by cubic Bézier curves, such as smooth glyphs. It relies on a novel algorithm for compactly partitioning planar Bézier regions into nondegenerate Coons patches. New optimizations are also described for Bézier inside–outside tests and the computation of global bounds of direction...

Mathematical and scientific writing call for figures that accurately and attractively integrate typography and numerical data. Widely-used commercial and non-commercial drawing programs exist, as do dozens of lesser-known utilities. This article describes an addition to the list: ePiX, a collection of command line utilities for creating mathematically accurate, logically structured, camera-qual...

The purpose of this study is to describe the form conveying psychological aspects psychiatric contained in poems Jambi poet Ari Setya Ardhi. means a who lives area, actively works, and always documents his rhymes individual anthologies joint anthologies. This research includes descriptive with content analysis approach literary works. data are rhyme texts that refer depression anxiety. results ...

This visual essay seeks to substantiate and illustrate the tenet that formal–structural elements in graphic design carry rhetorical functions. Based on a National Geographic feature article, authors demonstrate methods for ‘measuring’ layout, colour typography, show results infographic visualizations. At same time, study showcases epistemic value of these The perspective adopted puts double-pag...

The SL~IQX 'invisible' fonts are currently produced by a special set of METAFONT files; an alternative method of generating 'invisible' versions of any font is presented, using virtual fonts.

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