Marina Carr’s By the Bog of Cats (1998), an appropriation of the myth of Medea, re-presents the predicament of Hester Swane, who like Medea, is an outsider, a dispossessed woman living on the margins of society, who, at the age of seven, was abandoned by her mother, and now is struggling to establish her identity by looking for connection with the lost m/other. Carr shifts the focus from stereo...