This paper surveys a collection of sample applications for networked user-centric context-aware embodied music listening. The applications have been designed and developed in the framework of the EU-ICT Project SAME (www.sameproject.eu) and have been presented at Agora Festival (IRCAM, Paris, France) in June 2009. All of them address in different ways the concept of embodied, active listening t...

The intensive care unit (ICU) is a technologically-driven environment where critically ill patients and their families have significant physical and emotional experiences. Mechanically ventilated (MV) patients can experience significant distress from anxiety and pain. Music listening is one integrative intervention that has been shown to reduce anxiety as well as other symptoms that contribute ...

In order to further understand our emotional reaction to music, a museum-based installation was designed to collect physiological and self-report data from people listening to music. This demo will describe the technical implementation of this installation as a tool for collecting large samples of data in public spaces. The Emotion in Motion terminal is built upon a standard desktop computer ru...

We examine the effect of listening level, i.e. the absolute sound pressure level at which sounds are reproduced, on music similarity, and in particular, on playlist generation. Current methods commonly use similarity metrics based on Mel-frequency cepstral coefficients (MFCCs), which are derived from the objective frequency spectrum of a sound. We follow this approach, but use the level-depende...

OBJECTIVE In the past few decades, several studies have reported the physiological effects of listening to music. The physiological effects of different music types on different people are different. In the present study, we aimed to examine the effects of listening to traditional Persian music on electrocardiogram (ECG) signals in young women. METHODS Twenty-two healthy females participated ...

The Mozart effect was first described by Dr Tomatis and investigated by Rauscher, Shaw and Ky (1993) in terms of the positive effects of listening to Mozart music on spatial-temporal reasoning. This was quickly misinterpreted by the masses as evidence that listening to Mozart music increases IQ. Since then, on-going debate and research has been focused on examining whether music plays a signifi...

A model of music listening has been automated. A program takes digital audio as input, for example from a compact disc, and outputs an explanation of the music in terms of repeated sections and the implied structure. For example, when the program constructs an analysis of John Coltrane’s “Naima,” it generates a description that relates to the AABA form and notices that the initial AA is omitted...

A psychoacoustic experiment has been conducted to determine the difference limen (DL) of the level of music reproduced in a listening room. The effects of three factors on the DL were measured using up to twelve trained subjects. The factors were music motif (Mozart, Elgar, Smashing Pumpkins), listening level (50, 60, 65, 70, 80 dB, A-weighted Leq) and dynamic range. It was hypothesised that th...

The present study investigated the differential effects of emotions evoked by music on heart rate (HR) and its variability (HRV) during the playing of music on the piano compared to those in persons listening to the same music. Thirteen elite pianists underwent experiments under expressive piano playing, nonexpressive piano playing, expressive listening, and nonexpressive listening conditions. ...

The relationship between the neurobiology of speech and music has been investigated for more than a century. There remains no widespread agreement regarding how (or to what extent) music perception utilizes the neural circuitry that is engaged in speech processing, particularly at the cortical level. Prominent models such as Patel's Shared Syntactic Integration Resource Hypothesis (SSIRH) and K...