نتایج جستجو برای: feminine painting and feminism painting are compared finally

تعداد نتایج: 17016516  

1999
Elena Murariu Florian Petrescu

The method presented in this paper answers the following question related to the documentation of mural painting conservation: how can information technology be applied in order to achieve ease of symbolizing and updating, better accuracy, flexible presentation, ease of integration and cross-link with other data? Furthermore, another important issue: are all these possible at a low cost? 1. GRA...

2015
G. Radhika C. Chandrakala T. S. Ghouse Basha

In Painting is the strength of reconstructing engrossed or gaga joining of images based on the background information. i. e. cast In Painting fills the off or incapacitated quarter in an figure utilizing spatial information of its neighboring region. In Painting algorithm have numerous applications. It is helpfully second-hand for certification of aged films and end deduction in digital photogr...

2007
Gabriel M. Hoffmann Peter W. Kimball Stephen P. Russell

This paper presents the algorithm developed, for the EE 368 course project, to identify paintings in query images taken with a camera-phone in the European Gallery of the Cantor Arts Center. The image processing algorithm first extracts the painting of interest, in the center of the photo. It uses edge detection in saturation space, followed by iterative Radon transforms and region removal to f...

2007
Qun Feng Tan

This paper presents a fast and viable method of painting image retrieval. The painting is first isolated using edge detection and region counting. We use perspective transform and eigenimage analysis to select the desired image.

2015
S A Singh Shinde

A Conference on Wireless Communication and Android Apps "WiCAA–15" 1. INTRODUCTION The Image in-painting is a hot spot in computer graphics and an active area in research in image processing. Image in-painting is also known as image disocclusion or completion. Object removal from images is an image manipulation technique that has a long history. The purpose of removing objects varies from remov...

2015
Max Pihlström Anders Hast Anders Brun

In this paper a dynamic image representation is proposed by combining advantages of both raster and vector graphics in the triangulation. In order for a dynamic mesh to remain a triangulation, a method which maintains integrity of representation is devised. Together with techniques for synthesizing paint, the end result is a configurable scheme demonstrating potential as a viable alternative fo...

Journal: :IJHAC 2009
Akihiro Tsukamoto

In this paper, I propose a new methodology for analysing landscape drawing methods using a GIS. The subject of my analysis is the genre of Japanese screen paintings known as rakuchū rakugai zu, created between the 16th and 18th centuries. Rakuchū rakugai zu provide bird’s-eye views of the then-capital city of Kyoto, including buildings, natural features, and human activities. The methodology in...

2017
Denis A. Coelho Ana S. C. Silva Carla S. M. Simão

painting) Acumen (literature) Adaptive (history and humanities) Allegory moralizing (painting) Ambiguous (history and humanities) Antagonist (history and humanities, literature) Aseptic (history and humanities) Belief in miracles (history and humanities) Buck (history and humanities) Candor (history and humanities) Centred (humanistic-historical) Christian (history and humanities, literature) C...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه تربیت مدرس - دانشکده مهندسی صنایع 1387

according to webster and wind (1972) and anderson et al (1987), “organizational buying is a complex process and involves many people from different functional areas, multiple goals and potentially conflicting decision criteria. moreover, the customers of today are also more knowledgeable and selective when making their purchasing decisions. since a key to organizational survival is the retentio...

2017
Ravit Linn Yotam Tepper Guy Bar-Oz

The Transfiguration scene depicted in a Byzantine church at Shivta, Israel, is one of two figurative examples of the scene from the early Christian period. The use of Egyptian blue pigment in the wall painting was investigated with various analytical methods. Visible Induced Luminescence (VIL) imaging was used in-situ in order to map the distribution of the Egyptian blue pigment in the painting...

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