This paper presents WordForce, a system powered by the state of the art neural network model to visualize the learned user-dependent word embeddings from each post according to the post content and its engaged users. It generates the scatter plots to show the force of a word, i.e., whether the semantics of word embeddings from posts of different stances are clearly separated from the aspect of ...

Since the late 1960s and the " environmental revolution " , information and information systems have been an integral part of the environmental debate. In the decade that has passed since the Rio conference and the establishment of the "sustainable development" principle, there have been legislative and practical moves to open access to environmental information for all stakeholders that are in...

In recent years, applications of formal ontology have formed a research front at the intersection of biological, biomedical research and information science/technology. It’s possible applications to and import for more traditional theoretical problems in biology, however, have been rarely addressed. The goal of the present paper is to utilize the toolkit of formal ontology in the analysis of on...

at the same time fundamental public criticism of it and a need for alternative therapies (cf. pp. 31 9f.). Labisch sees two ways out of this situation: a new concentration on medicine as an art that deals with human beings, and permanent ethical self-contemplation. This comprehensive and concise history of health in the modem period can contribute to a better informed and more objective debate ...

The head of a gorgon—page 6 On a recent visit to London I had the privilege to meet Dr Ian Jenkins the current Curator of Greek and Roman Antiquities at the British Museum. Dr Jenkins is one of world’s leading authorities on the subject of the Ionic Frieze of the Parthenon in Athens. He is also a foremost historian of a great debate, whether collections of classical sculpture are to be properly...

stated that the Focus article did not "ade-quately explore the artist's or art faculty responsibility for learning to use art materials properly," and that Monona Rossol and I didn't believe that the hazard labeling regulations for art materials were adequate. Gottsegen also states that Rossol and I "place the blame for all this in the laps of the manufacturers of art materials or consulting to...