In 3D interactive ction systems, a virtual camera must \ lm" the behaviors of multiple autonomous characters as they unpredictably interact with one another, are modi ed by the viewer, and manipulate artifacts in 3D worlds with complex scene geometries. It must continuously plan camera movements to clearly shoot the salient visual features of each relevant character. To address these issues, we...

Stereoscopic cinema has seen a surge of activity in recent years, and for the first time all of the major Hollywood studios released 3-D movies in 2009. This is happening alongside the adoption of 3-D technology for sports broadcasting, and the arrival of 3-D TVs for the home. Two previous attempts to introduce 3-D cinema in the 1950s and the 1980s failed because the contemporary technology was...

Reconstructing the 3D scene depicted by a video clip is an active field of research. For this task, we need two or more overlapping images of the same situation taken from different angles. After that, we can recover the depth of points that appear in both images. Characteristics of modern movies makes it difficult to reconstruct 3D scenes from them. They often utilize cameras that with more th...

This paper explores research issues and methods for experimentally assessing the effectiveness of interactive and dynamic geographic visualization displays for knowledge discovery and knowledge construction. Based on a research framework from cognitive science, and utilizing the eyemovement data collection approach, a series of controlled animation experiments are proposed. These empirical stud...

This paper introduces an approach to generate video clips starting from an annotated commentary. The novelty of the approach lies in the use of rhetorical structure of the accompanying audio commentary in planning the video. The basic notions of cinematography are briefly introduced together with the Rhetorical Relation Theory to model the structure of a discourse. Then, the architecture of a v...

Mr. P. Vijaykumar, Aman Kumar, Sidharth Bhatia Abstract— Motion estimation is the process of determining motion vectors that describe the transformation from one 2D image to another, usually from adjacent frames in a video sequence. Motion estimation is a useful in estimating the motion of any object. Motion estimation has been conventionally used in the application of video encoding but nowada...

Abstract OpenKinoAI is an open source framework for postproduction of ultra-high definition video, which makes it possible to emulate professional multiclip editing techniques the case single-camera recordings. includes tools uploading raw video footage live performances on a remote web server; detecting, tracking, and recognizing performers in original material; reframing into large choice cin...

The author used the quantitaive method to examine full-lenght feature polish debuts from 2006-2021. aim of article is present dynamics field young cinema in reality Polish cinematography after founding Film Institute. examines rookie’s profile terms age, gender and education. He also checks which entities audiovisual industry most willingly produced debuts, companies often distributed them, wha...

The article provides a comparative study of Kazuo Ishiguro’s novel “Never Let Me Go” and its film adaptation directed by Mark Romanek. analysis is made in the context theory intermediality, which involves interpenetration various forms information transmission. According to modern views on intermediality (I. Rajevsky, L. Elleström) it has been established that screen belongs “medial transpositi...