The authorship of the 1924 short story ‘The Loved Dead’ has been contested by family members of Clifford Martin Eddy, Jr. and Sunand Tryambak Joshi, a leading scholar on Howard Phillips Lovecraft. The authors of this article use stylometric methods to provide evidence for a claim about the authorship of the story and to analyze the nature of Eddy’s collaboration with Lovecraft. Further, we exte...

Interactive stories face a famous “authorial bottleneck.” Two existing approaches to this problem are story management systems, such as drama managers, and interactive narrative generators. Existing work leverages well-understood qualities of linear narrative such as suspense to generate content, but interactivity brings new capacities, like the ability to make a player experience regret. These...

The purpose of this synthesis is to deconstruct the medium of Marshall McLuhan’s prose as an anti-environment for the medium of traditional academic writing. By placing McLuhan’s own theory in dialogue with the founding principles of linguistic anthropology, I will argue that McLuhan’s authorial tactics—a subject of his long-term repudiation by the academic community on the whole—adhered to the...

Designing robust narrative experience in games is a complex and demanding task. The need to balance authorial control with player interactivity necessitates structurally flexible storytelling tools. One such tool is the micronarrative an internal unit of narrative progression and coherence. This paper explicates relationships between the size, form, and experience of narrative units within elec...

This article discusses César Aira’s critical engagement with Jorge Luis Borges’s masterful short story ‘Pierre Menard, autor del Quijote’. While there are few overt references to within essayistic output, it will be shown that those do exist highly significant. Indeed, argued literary process — developed at length and in detail across his work is heavily indebted Menard’. Opening first a reflec...

this article presents the question whether it is correct to classify günter grass’s the tin drum as a work of magical realism. a brief scrutiny of the elements of magical realism, particularly authorial reticence and concept of hesitation indicates that contrary to the advertisement of certain sources and publishers, this novel in certain circumstances, contradicts and opposes these two indispe...