نتایج جستجو برای: stylistics of drama
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Introduction: Clinical practice includes expressing empathy and understanding key features of humanity, such as mortality and illness. The Stanislavski "System" of actor training negotiates a journey from the unconscious via feeling, will and intellect to a proposed supertask. This study explored these areas during collaborative learning amongst undergraduate medical and drama students. Materia...
Drama, theater and role-playing methods are commonly used in health promotion programs, but evidence of their effectiveness is limited. This paper describes the development, implementation and evaluation of a school-based drama program to enhance social relationships and decrease bullying at school in children in grades 4-5 (mean age of 10.4 years). Students (n = 190) were recruited from two pr...
Drama managers guide a user through a story experience by modifying the experience in reaction to the user’s actions. Search-based drama management (SBDM) casts the dramamanagement problem as a search problem: Given a set of plot points, a set of actions the drama manager can take, and an evaluation of story quality, search can be used to optimize the user’s experience. SBDM was first investiga...
Research demonstrates a complex relationship between television viewing and fear of crime. Social critics assert that media depictions perpetuate the dominant cultural ideology about crime and criminal justice. This article examines whether program type differentially affects fear of crime and perceptions of the crime rate. Next, it tests whether such programming differentially affects viewers'...
The third article of the series devoted to stylistics late constructivism and role I. Leonidov in its formation reviews use transformation Leonidov’s patterns creative works by M. Ya. Ginzburg (1935-1945). study includes little-known previously unpublished materials author’s reconstructions.
Interactive drama has been discussed for a number of years as a new AI-based interactive experience (Laurel 1986, Bates 1992). While there has been substantial technical progress in building believable agents (Bates, Loyall and Reilly 1992, Blumberg 1996, Hayes-Roth, van Gent and Huber 1996), and some technical progress in interactive plot (Weyhrauch 1997), no work has yet been completed which ...
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