cinema industry is one of the main elements of cultural development. development of cinema industry requires the identifying the various social, economic and cultural dimensions. this paper studies the economic characteristics of cinema in iran. in this regard, it is necessary to identify the determinants of demand for movies and their demand elasticities. the computed elasticities have useful ...

Acousmêtre, or the use of offscreen sounds and visual media to stimulate the imagination of the viewers was explored by Fritz Lang or Alfred Hitchcock in cinema. However, it's full potential is still waiting to be explored in interactive virtual environments. Based on the initial investigation, the inclusion of acousmêtre in a virtual environment effectively elicits suspense and increases the v...

This article undertakes the issue of defining film phenomena which put forward questions a primary religious nature (about meaning life, source evil, life after death, existence Absolute, etc.) in way that is independent from major traditions. The author posits describing this phenomenon case European culture done best by employing philosophical thought postsecularism. Utilizing Mieke Bal’s met...

You Need Violence and Sincerity: Godard and the Manufacturing of a Revolutionary Cinema

Religious beliefs play an important role in the study of religious practices and behaviour. Wulff (1997) suggested that there are four basic attitudes towards religion: Literal Affirmation, Literal Disaffirmation, Reductive Interpretation and Restorative Interpretation. Building on this work, Duriez, Soenans and Hutsebaut (2005) constructed the Post-Critical Belief Scale (PCBS). In their work, ...

This study aims to discuss Tony Gatlif's "accented cinema", which deals with the lives of minorities and nomads reflexivity brought by these in many his films, terms philosophical expansions. The original style director build using cinema’s means about being a Gypsy or from an ethnic minority, while opening majorities questioning, it transforms film watching experience specific intellectual adv...

Abstract In Cinema 1, Deleuze proposes the “color-image,” a type of film image with an “absorbent characteristic” that does not refer to particular object but seizes all happens within its range. Like color-images, racial categories have absorbent, seizing quality: they assert “color” at expense representation. address potential applications his concept race, are especially illuminating when ap...