writing about the date of different events by using historical documents is a reliable way of history analyzing. historical documents are less affected by mental backgrounds, loves and hates, and interests and values. they are more reliable in narrating historical facts. such documents are generally prepared by experts when a given event has occurred and are less affected by next incidents. alt...

In this paper we examine how 6 grade students independently develop and play a mobile co-operative game in their art course. The children are brought into the Middle Ages, where they deal emotionally and actively with historical artifacts in physical space in and around the museum. By integrating children’s day-to-day experiences in their digitallysaturated lives, particularly the common use of...

BACKGROUND Although the Netherlands currently has its own procedure for evaluating chemical compounds and setting occupational exposure limits (OELs), most of these limits were originally adopted in the 1970s from threshold limit values (TLVs) set by the American Conference of Governmental Industrial Hygienists (ACGIH). However, beginning in the late 1980s, criticism about non-scientific consid...

Évariste Galois (1811–1832) has been increasingly recognised as an important mathematician who despite his short life developed mathematical ideas that today have led to applications in computer science (such as Galois connections) and elsewhere. Some of Galois’ mathematics can be visualised in interesting and even artistic ways, aided using software. In addition, a significant corpus of the hi...

Based on a combination of clinical and pedagogical experience in occupational therapy, which interlinks artistic practices and therapeutic processes, we carried out a historical study designed to investigate how the fields of mental health and art became interrelated in Brazil between the mid 19th and 20th centuries. The methods used for this research, which is underpinned by the thinking of Fo...

Conceptual Art is generally portrayed as a rejection of aesthetic theory as an adequate basis for understanding artistic value or significance. In what follows I want to see whether one can understand Conceptual Art, contrary to this orthodox art-historical and philosophical narrative, in aesthetic terms—but without fundamentally distorting the nature of the work.1 Perhaps even more outlandishl...