Moving three-dimensional images have been depicted in many science-fiction films. This has contributed to 3D video and 3D television (3DTV) to be perceived as ultimate goals in imaging and television technology. This vision of 3DTV involves a ghost-like, yet high quality optical replica of an object that is visually indistinguishable from the original (except perhaps in size). These moving vide...

Dalhousie Journal of Interdisciplinary Management Abstract: This paper examines the increased censorship of film during the inaugural decades of the Soviet Union. Through an overview of the different genres and trends of Soviet cinema during this time, I draw parallels to the political climate and the role of film as an information medium. Censorship remains a persistent, if evolving, feature o...

This paper will focus on the dialogue between photography and cinema by evaluating film theories used in Jeff Wall’s photos. In order to break restrictions different media art forms, Wall expanded space of breaks shackles conventional art, thereby gaining greater freedom expression.

Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

In digital cinema, an image goes through many types of processes like scanning, mastering, and digital intermediate. Among them, the digital intermediate process plays a central role because it determines the final color of an image. It edits and changes the colors of the images. However, some color distortions such as color bleeding are generated when editing and changing local colors in an im...

This paper is a proposal for PhD level research into brain controlled film. I place brain computer interfaces (BCI) in a historic and then an artistic context before exploring instances of research where film and BCI overlap. I then define what has not been covered by research and propose a way to contribute to that gap in knowledge. I explain my interest in the subject, and the methodologies I...

In Faraday and Plateau's days, both apparent motion and the fusion of intermittent lights, two phenomena that are hardly connected, were explained by retinal persistence. The works of Exner and of the 'Gestalt' psychologists, as well as the modern works on 'sampled' motion and smooth motion, disregarded retinal persistence. One tried, originally, to measure this persistence using intermittent s...

Towards the end of the nineteenth century two inventions, the telephone and the phonograph, appeared which were to change the way music was dealt with. Prior to the developments they brought about, every musical performance was indivisible from its place in time and space. Their appearance meant that music could be presented remotely in both time and space from its origin. This has inevitably r...

abstractin this article, iranian society in the 80s is analyzed in terms of its prevailing insights using the theory of reflection in the sociology of cinema. this theory, which considers art as a mirror for society, permits researcher to study the predominant perceptions of the period under investigation. this is done through assessment of the image of hero shown in its cinema. moreover, the g...