1 Introduction Primary verbal composite modelling, as manifested in cognitive poetry, raises serious theoretical questions over the nature and function of the linguistic sign (Stockwell 2002). If language as a conventional symbolic system qualifies as the Peircian Thirdness, it cannot possibly be at the same time a Firstness. Rather than getting once again into the infinitely boring debate on t...

sorrow is one of the poetic subjects which is frequent since the ignorance period through elegiac poems which are full of kindness and sad motions. but since the recent & new era in particular since he romanticism era it gains progress in such a way that it does not only appear through the poetic couplets which illustrate an experience of poetic elegical sense, but also it becomes of potential ...

This article adopts Geertz's view of cultural analysis and embodiment theory, creating a theoretical lens to explore how participatory drama can support students in their understanding the culture connoted Tang poetry – significant heritage China. A case study was conducted on fourth-grade (10–11 years old) primary school Shanghai. The findings show that help perceive poetic images with physica...

adaption of metaphor and allusion has been always considered as the most valuable literary representations and seved as an appropriate device for benchmarking versification potential in poets. as one of shiite poets, seyed hemyari who has devoted his verse for defense from al-ul-bayt (pbut) has benefitted successfully from rhetoric images in this field. despite of its simplicity and plainness i...

complaint poetry is a natural expression of human grief, pain, dissatisfaction, or resentment arising from life’s different problems. complaint poetry regarded as a kind of lyric poem in which the speaker faces the cruelty of a faithless lover or the advent of some misfortune like poverty, exile, injustice, in which the poet laments or protests or tells of those miseries. the complaint poetry c...

The poetic salons in Kyoto during the early Tokugawa period were vivified by the simmering tension between the factions of Matsunaga Teitoku 松 永貞徳 (1571-1654) and Kinoshita Chōshōshi 木 下長嘯子 (1569-1649). These two poets hailed from fundamentally different socio-economic backgrounds, displayed contrasting personalities, developed diametrically opposed views on the proper decorum for composing wak...