نتایج جستجو برای: narrative films

تعداد نتایج: 128153  

2015
Marco Sicrea

In games, unlike in traditional linear storytelling media such as novels or films, narrative events unfold in response to the player input. Therefore, the music composer in an interactive environment needs to create music that is dynamic and non-repetitive. We investigate how to express emotions and moods in music and how to apply this research to improve player experience in games. The main no...

Journal: :iranian journal of pharmaceutical sciences 0
babak ghanbarzadeh department of food science and technology, faculty of agriculture, university of tabriz, tabriz, iran, abdorasul oromiehi iran polymers and petrochemical institute, pazhoohesh street, tehran, iran

zein is one of the best biopolymer for edible film making and sugars are natural plasticizers for biopolymers. in this research, sugars (fructose, galactose and glucose) at three levels (0.5, 0.7, 1 g/g of zein) were used as plasticizers for zein protein films and their water vapor permeability (wvp), oxygen permeability (op) and atomic force microscopy (afm) topography were studied. the pure z...

2011
Alex Mitchell Kevin McGee

A central problem for interactive storytelling research is how to create a story which procedurally varies as the result of a user’s actions, while still feeling like a story. Research has largely concentrated on how to provide coherent variations each time a user experiences an interactive story, without consideration for the relationship between subsequent experiences. This paper examines the...

1999
James C. Lester

Rich 3D animated explanations can have a powerful impact on students interacting with immersive knowledge-based learning environments. By generating 3D animated explanations in realtime, a learning environment can create engaging explanations that are tailored to individual students. This paper presents the immersive explanation planning framework for generating pedagogically-customized 3D anim...

Journal: :international journal of nanoscience and nanotechnology 2011
s. sabbaghi r. bazargan lari m. zeraatkar

nano films consisting of an alternating sequence of positively and negatively charged polyelectrolytes have been prepared by means of the electrostatic layer-by-layer (lbl) sequential assembly technique on treated and untreated mild steel wires. inhibitor was encapsulated between cationic and anionic polyelectrolyte nano films. this paper mainly focuses on the effect of these nano-films of poly...

Journal: :هنرهای نمایش و موسیقی 0
محمد شهبا استادیار گروه سینما، دانشکدة سینما ـ تئاتر، دانشگاه هنر، غلامرضا شهبازی کارشناس ارشد سینما، دانشکدة سینما ـ تئاتر، دانشگاه هنر

his article, “history, adaptation and appropriation in cinema”, based on descriptive and analytical approach, tries to clarify new less known theoretical perspectives towards history, narrative and adaptation. the importance of the issue is intensified by the increased number of films adapted from historical texts. in other words, history texts have always been a source for film production, esp...

2017
Kameron J. Copeland

Historically, imprisoned Black male converts to Islam have been known for their narratives of redemption and struggles for religious freedom behind bars. While Islam possesses a strong visible presence throughout predominately Black areas of inner cities, it has become a natural feature of Black popular culture in mediums such as hip-hop, film, and literature. By the 1990s, the portrayal of Isl...

2013
Steve Jones

Although numerous critics have complained that Saw is ethically confused, little attention has actually been paid to how morality manifests in the series’ rolling narrative. Rather than seeking to understand the films by exploring them in detail, critics have accused Saw of being potentially corrupting, making a leap in logic between the overt preaching of Jigsaw – Saw’s lead protagonist-cum-ki...

2011
Jan Thorp Eleanor McPhee Stepan Zamecnik

The Moving Pictures Show is a contemporary Australian ‘silent’ film company that screens films produced in the period from 1912 to 1929, with a 9-piece orchestral accompaniment. This article explores the ways in which music is chosen for the show both to heighten the audience’s aesthetic experience of the film and to abide by historical practice. It also describes the ways in which improvisatio...

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