The universe is a grand book, Galileo noted in 1623, written in the language of mathematics (1). Those poor souls who don’t understand that language, he cautioned, wander about in a “dark labyrinth.” As languages go, mathematics can be intimidating. Plenty of people linger in the shade of Galileo’s labyrinth. To the uninitiated, equations, theorems, and proofs—to say nothing of their constituen...

This paper presents the current advances in “The Muses of Poetry”, an on-going project that combines interaction, emotions and poetry. The goal of the project is to create an interactive installation where a virtual character not only recites poetry, but also manifests the affective content of the poem through facial expressions and voice rhythm. The novelty of our work is the combination of di...

This paper presents the advances in expressive speech for the interactive installation The Muses of Poetry, as well as the results of an evaluation to assess the interaction and emotional experience of the participants. The objective of the installation is to bring poetry closer to a wider audience through the use of animated characters who not only read poetry, but also manifest the emotional ...

In his article "Politics of Indigeneity in Fogarty's Poetry" Sean Gorman discusses Indigenous themes and issues with regards to the poetry of Murri writer Lionel Fogarty. As Fogarty is seen as a poet who writes complex prose, his material challenges non-Indigenous readerships by subverting Standard English and conventional reading practices. Gorman suggests strategies by which to engage with Fo...

This close focus intends to examine the similarities and contrasts between Badr Shakir Al-Sayyab Elliot. The review seeks these artists' views of general quality. It shows how quality according Al-Sayyab's point view is not like Elliott, who highlights that indifference essential poetry while asserts personality non-origin together constitute a work perfection. Not at all them, has no base note...

CONCEPTIONS OF THE POETIC IN CLASSICAL GREEK PROSE Alison C. Traweek Dr. Sheila Murnaghan This dissertation explores how prose authors of the Classical period envisioned literary distinctions, particularly how and when they labeled a particular utterance ‘poetic’. The first chapter addresses fifth-century prose authors whose work survives in significant degree (Herodotus, Thucydides), or whose ...

A growing number of studies are investigating the way that aesthetic experiences are generated across different media. Empathy with a perceived human artist has been suggested as a common mechanism [1]. In this study, people heard 30 s excerpts of ambiguous music and poetry preceded by neutral, positively valenced, or negatively valenced information about the composer's or author's intent. The ...